Benoît Labourdette is a filmmaker, educator, expert in new media, cultural innovation and business leader. This website offers the sharing of his films and other works, as well as educational, cultural and technical resources.
Active conference to equip social actors with digital skills to work on self-esteem with adolescents. Exchange of experiences and practices, and proposal of a lived experience.
The [Image Forum-https://www.forumdesimages.fr/] organized the (...)
Lecture by Benoît Labourdette for proposals for philosophical and practical tools of thought on the challenges of digital and images. The aim is to collectively equip themselves to carry out popular education initiatives in the 21st Century in (...)
On the theme of musical cinema, a night walk in Valencia, to discover new and surprising works on the city walls. And then, on some films, viewers were invited to make the music live!
To close the International Festival of Screenwriters, on 6 (...)
A very simple use of the mobile phone can speed up the scriptwriting work.
In many fields prototypes are made, which can also be called drafts, diagrams, wireframes, mockups... The prototype makes it possible to partially simulate the (...)
Filmmaking workshops in holiday centres.
Holiday centres CCAS traditionally offer holidaymakers many quality cultural activities. In the summer of 2018, we proposed an innovative, creative and participatory activity as part of the “Act’éthiques” (...)
How to get listening and silence in a group? Surprisingly, by going through a work on oneself the results can be spectacular. Silence is a prerequisite to listening: a false idea
When we address a group of people, we need silence to be able to (...)
How to put a video online? What are the technical, patrimonial, practical, legal issues? Methodological tools for a professional and structured approach to video on the web.
The concepts and methodologies presented in this article, although (...)
My films are streamed here (with English subtitles). Between experimentation and narration, I often work in series.
In all fields of artistic expression, the series is an important figure, because it makes it possible to express a principle, to (...)
Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)
Shoot movies with mobile phones as of 2005, when cameras appear in phones, shoot movies with drones from 2013, when he sold quantities at Christmas, use standalone portable projectors to project movies in the streets, deflect the techniques of (...)
We are in a society of words, and in a society of images. Citizens have become producers and broadcasters of their images, as well as being spectators. The images and their circulations modify in depth the psychosocial dimension of our lives. (...)
I’m en expert in film and digital video, workflow consulting, services with my company Benoît Labourdette production (DCP, VOD, DVD, Blu-ray, upscaling, encoding ...). I make projection assets and devices. I’m also a producer and director of (...)
Initially questions What is literature ? A look at the real ? A meeting between a filmmaker and a reality ? What is the value of a documentary ? In the quality of spontaneity, the truth of this meeting ? Spontaneity and truth are they two (...)
“Image education 2.0” (under the direction of Benoît Labourdette), practical book of image education in the digital age, published by ACAP. Free download.
Download the entire book (french).
In line with the work of Jacques Rancière (“The ignorant (...)
Why use special software to write a screenplay ?
A screenplay goes, often in a standardized format, which boils down to something very simple: one page = 1 minute.
A script page contains: numbers, title and details of scenes, stage directions (...)
The first complete guide to filmmaking with mobile phones, Dixit publishing in 2008, which remains a reference. Free download.
Download the complete book.
I wrote this book to make it a concrete guide, technical as of shooting and directing. I (...)