Dialogue between a haiku of Ueda Chôshû and organic-generative kaleidoscopes images made with reality.
How to combine text and cinematic space ? What is sensation, perception, sensitive ? Why images, words and sounds, whether concrete, do they open the doors of the imagination ?
Haiku is working with words, precisely at this intersection between meaning, emotion and imagination.
Experience among a kaleidoscope taken from the real and a haiku by Ueda Chôshû.
Was it into a thousand pieces
it is still there -
the moon in the water !
Ueda Choshu (1852-1932)