Lost Films : Upscaling and manufacturing of the DCP of the trailer of “Ryan’s Daughter”, by David Lean

Trailer of “Ryan’s daugther”, directed by David Lean Lost film distribution, a company headed by Marc Olry, releases in theaters in August 2013 Ryan’s Daughter, directed by David Lean (1970, with Robert Mitchum Sarah Miles, Christopher Jones). Quidam production ensured the upscaling and manufacturing of the DCP of this trailer, which I was in charge. Editing the trailer was made, due to the constraints of rights, from a DVD (ie a picture of a definition of 720x576 pixels). But in cinema, DCP (Digital Cinema Package) format, resolution is 2048x1080 pixels. I have assured the operation called “upscaling”, ie enlarge the image, making sure to improve the quality, so it is of the highest quality on the cinema screen. This is a delicate operation, which uses many algorithms, but allows a significant improvement in quality. Zoom on the original image (SD 720x576 pixels), which I started:
Zooming the image resulting after upscaling 2K (2048x1080 pixels):
We see that, very surprisingly, the details of the image reappears, are “revealed” by mathematical algorithms. It has not, of course, the same quality as if you had used the original high definition master, but this operation of upscaling allows a significant improvement of quality, which makes the film totally usable in theater without being ashamed face to the other trailers directly edited in high definition. This is a “middle” way, a good compromise that allows to the maximum possible technical quality where, a priori, it seemed compromised.
thumbnail Benoît Labourdette
20 May 2013. Published by Benoît Labourdette.

Lost film distribution, a company headed by Marc Olry, releases in theaters in August 2013 Ryan’s Daughter, directed by David Lean (1970, with Robert Mitchum Sarah Miles, Christopher Jones).

Quidam production ensured the upscaling and manufacturing of the DCP of this trailer, which I was in charge. Editing the trailer was made, due to the constraints of rights, from a DVD (ie a picture of a definition of 720x576 pixels). But in cinema, DCP (Digital Cinema Package) format, resolution is 2048x1080 pixels. I have assured the operation called “upscaling”, ie enlarge the image, making sure to improve the quality, so it is of the highest quality on the cinema screen. This is a delicate operation, which uses many algorithms, but allows a significant improvement in quality.

Zoom on the original image (SD 720x576 pixels), which I started:

Zooming the image resulting after upscaling 2K (2048x1080 pixels):

We see that, very surprisingly, the details of the image reappears, are “revealed” by mathematical algorithms. It has not, of course, the same quality as if you had used the original high definition master, but this operation of upscaling allows a significant improvement of quality, which makes the film totally usable in theater without being ashamed face to the other trailers directly edited in high definition.

This is a “middle” way, a good compromise that allows to the maximum possible technical quality where, a priori, it seemed compromised.