Tree

The tree, a perennial plant, is much more mobile than we think. It is very strong to approach a tree. This life form runs through a number of my films.

Content linked to Tree

A film by Benoît Labourdette (1’21s, 2020).

A fire that burns us, captured by nature.

A film by Benoît Labourdette (3’26s, 2020).

Folds and folds of souls, architectures and life itself, made of synesthetic resonance. Gilles Deleuze adding to Leibniz.

Collective film (4’11s, 2016).

In a park, games of seduction of things at pivotal moments in their lives.

A film by Benoît Labourdette (37s, silent, 2017).

Behind barks, utopia.

Collective film (3’02s, 2015).

Hands of humans from all over the world are talking through their tattoos, to music in a building by Le Corbusier.

Un film de Laura (0’43s, 2009).

Simple description of her bedroom window.

A film by Benoît Labourdette (2’27s, 2015).

Children’s games in the rain. Danger lurks.

A film by Benoît Labourdette (8’33s, 2012).

A little piece of nature in the middle of the city is a microcosm of nature impulses of life. Love, the mix of bodies, dramas, reunion, always. Crosses of stories on feelings and bodies.

Video-vegetal installation.Into the International Garden Festival of Chaumont-sur Loire, the landscape architect Jean-Philippe Poirée-Ville has created a vegetable sculpture, in a basement, as a large liana levitating in the dark. I worked on (...)

A film by Benoît Labourdette (2’21s, 2019).

When an architecture made of glass reveals its intrinsic abstraction.

Video creation by Benoît Labourdette (2’58s, 2014).

The small trace left on a surface, on a “skin”, is perhaps the most important thing there is.

Lying down, not being able to move, but turning your head, trying to look behind you.Instrumental music, 2017,2’19s. Improvisation of Benoît Labourdette (synthesizers).Improvisation realized under private seing on January (...)

A film by Benoît Labourdette (2’40s , 2015).

Poetics of road signs in mountainous areas.

A film by Benoît Labourdette (2’55s, 2009).

Let’s imagine for a moment that these air launchers are flame throwers...

Collective film (3’, 2013).

[At the water’s edge, we confide in each other.]

Un film de Christopher (0’50s, 2009).

Almost without comment, the image speaks alone, its deep and simple language.

Collective film (1’37s, 2014).

Sentiments of abandonment...

A film by Benoît Labourdette (3’31s, 2018).

Contemplating the world through a lens that multiplies it may mean finding oneself in front of oneself, feeling that one is part of the world, and rebuilding oneself in this way.

Series of photographs. Variation on the experience of a Parisian sidewalk.Shoot with the body, the hand that triggers the camera being an integral part of the optical system. Its presence before / with the objective diffracts the light rays to (...)

A collective film directed by Benoît Labourdette (1’43s, silent, 2017, collective : Alice, Morgane, Romain, Benoît).

The meaning of life on earth, summarized by a few key words.

A film by Tristan (0’05s, 2009).

So beautiful fragile poetry of the lack of inspiration.

A film by Benoît Labourdette (2’41s, 2009).

Let’s imagine for a moment that this tree is a real tree...

Benoît Labourdette’s movies in a travelling projection program in Arras (France).In the context of the manifestation of contemporary art “Call for air” in Arras, I proposed a travelling screening of a selection of my films. Projections on walls, (...)

Collective film (4’34s, 2016).

In nature, objects share their digital experiences.

A film by Benoît Labourdette (1’55s, silent, 2017, pseudonym: Bob Boss).

When nature brings us back to the Sacred.

Collective film (1’51s, 2019).

Post the images in 360°, literally.

Collective film (3’27s, 2015).

In nature, objects sing to give themselves courage.

A film by Benoît Labourdette (0’54s, silent, 2019, pseudonym: Marc Z.).

Social networks benefit from everything, even human tragedies.

A collective film, initiated and edited by Benoît Labourdette (1h01’, 2009-2020).

Look out your window at home, and think of an important memory.This collective film is composed of 44 videos (among 500 made) shot by people in France, Algeria and Tunisia, between 2009 and 2013, in creative workshops led by Benoît Labourdette. (...)

A film by Benoît Labourdette (7’59s, 2016).

Political commitment begins in look and name what we see.

Film by Benoît Labourdette (1’31s, 2010).

A tree in the middle of a street. It’s simple and banal. But if we explore its surface, its bark, we discover stories. All the stories that took place around, including the tree retains traces, etched on him, like so many tattoos. Love, venue, (...)

A film by Benoît Labourdette (2’41s, 2016).

The intimate perception of the inner voices of passing humans, which leads to a choice of life.

Loop video by Benoît Labourdette (1’10s, 2013).

A bridge over the Marne. Classic about the Impressionist painters. Reinterpreted in my own way, in addition and subtraction of pixels of different times.

A film by Benoît Labourdette (3’37s, 2015).

Living the rustle of the world, between vegetal force, air power, and organization, speech and human culture, beyond the borders of all kinds.

A film by Benoît Labourdette (4’36s, 2018).

Contemplative quest for meaning in an abandoned summer camp.

A film by Benoît Labourdette (2’56s, 2019).

A place visited today, empty, where I lived so many things a long time ago.

Reflection and starting point for experiments.

Moving images are verticalizing. This is far from being anecdotal and has an impact on our representation of the world. What philosophical changes does this bring about? How can we explore them? How can we share them? Images are becoming more (...)

Vocational training on technologies and strategies for developing transmedia projects.For the eighth year, I am the referent trainer of this 5-week professional training course at CEFPF (European Film Production Training Centre), intended (...)

Shoot movies with mobile phones as of 2005, when cameras appear in phones, shoot movies with drones from 2013, when he sold quantities at Christmas, use standalone portable projectors to project movies in the streets, deflect the techniques of (...)

Musical creations, often improvised, usually made with an analog synthesizer, in public or private. For improvisations, the general principle is to play a single instrument, to create the whole sound live. No pre-existing rhythm on which to (...)

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