Content linked to Artist

Personal exhibition of recent video works. La Veranda, an exhibition place for young digital creation in the Centre region of France (a structure of the association Plan libre créations) proposes a solo exhibition of my recent video work, 18 and (...)

A film by Benoît Labourdette (8’50s, 2013).

The visit of an empty Paris apartment, where several people lived successively. Memory fumes artists Sophie Calle and Boris Lehman.

Roundtable / lectures on the issues of creation in the digital age. Rouen, 2 December 2014. I participated in the roundtable / lectures as an artist and cultural player. It is obvious, digital upset the issues of artistic creation, whether from (...)

Video-vegetal installation. Into the International Garden Festival of Chaumont-sur Loire, the landscape architect Jean-Philippe Poirée-Ville has created a vegetable sculpture, in a basement, as a large liana levitating in the dark. I worked on (...)

A film by Benoît Labourdette (3’10s, 2016).

Wonder about the foundations of language, its meaning and its forms... for men and machines. This film is part of the transmedia project “The singularity” (www.la-singularite.com).

Video capture of a collective creation directed by Benoît Labourdette. Played on March 26, 2016 at the CNSAD (15 minutes).

“Today, almost everyone takes the stage on digital networks, takes a presence in the gaze of others by self-portraits interposed. What about the place of our lives? What can the theater stage, representation, and poetic gesture put into motion in (...)

We are in a society of words, and in a society of images. Citizens have become producers and broadcasters of their images, as well as being spectators. The images and their circulations modify in depth the psychosocial dimension of our lives. (...)

The Polyamory series consists of very short films that challenge assumptions about love. These are graphic works linked to synthetic texts, with scientific or testimonial value. Love is a subject that is as much overused as it is little (...)

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