Collective film (5’49s, 2018).

Anthropomorphic introspections at school.

Collective film (4’36s, 2019).

In a movie theatre, the objects of our daily lives talk about life with social networks.

Collective film (1’36s, 2019).

When technology, money and organization are put at the service of violence.

A film by Benoît Labourdette (53s, silent, 2017, pseudonym: Stéphane G.).

“No one shall be disturbed for his opinions, even religious ones, provided their manifestation does not disturb the public order established by law.”

A film by Benoît Labourdette (4’45s, 2015).

Visual composition, music and sound, from a noisy flying camera, referring to the movie “The Man with a Camera” (Dziga Vertov, 1929).

The daily Ouest France Ille-et-Vilaine proposed an article on the “mashup”, about a round table I set up and animated in the Travelling Festival Rennes in February 2015. http://www.ouest-france.fr/le-mashup-vous-ca-vous-dit-quelque-chose-3179202 (...)

We are in a society of words, and in a society of images. Citizens have become producers and broadcasters of their images, as well as being spectators. The images and their circulations modify in depth the psychosocial dimension of our lives. (...)

The image has become a language that everyone “speaks” on a daily basis, much more so than before the democratization of digital tools. Thus the stakes of images touch more than ever our existence in a very direct way, at the psychological, (...)