Collaborative action-research project led by Benoît Labourdette production in 2018 and 2019, to develop the synergy between teenage cinema attendance and cultural action.
In co-production and co-piloting with Arcadi, ACRIF, Images Forum and (...)
Accompaniment of a collaborative web documentary project initiated by Canopé 92 for the teachers of nine classes in the Hauts-de-Seine department. A web documentary project co-directed by 250 children
The Atelier Canopé 92 is at the origin of (...)
A professional training to collectively invent projection devices in order to build a greater intimacy with the material of the image. Then draw up a charter of good practices in the field of image education.
As part of the Academic Meeting on (...)
AXA for its international distant insurance AGD (France, Belgium, Spain, Portugal, Italy, Poland, Japan, Korea) , needed to create momentum under its “Corporate meeting” in 2012 (international meeting of teams), a dynamic movie to start (...)
“The singularity” is a collaborative transmedia project, launched in 2016 by Benoît Labourdette. Around a thematic spine, over a long period of time (several years), film creations, theatrical forms, exhibitions, creative workshops in various (...)
Animation by Benoît Labourdette of a day of sharing digital mediation tools for cultural and digital mediators in the city of Nantes. September 17, 2019. Intentions and Means
In order to transmit digital mediation tools that can be effective, it (...)
Training on how to teach about violent images.
East Image, Regional Centre for Arts Education and Training in Cinema and Audiovisual, organized on November 9, 2016, with the support of the Conseil régional and the DRAC d’Alsace Champagne-Ardenne (...)
Conference by Benoît Labourdette in video on the theme “New digital tools and image pedagogy”. Duration: 1h. Pôle Image Franche Comté. March 2016, the 22th.
The challenges of image education change deep enough due to the changes in uses and (...)
The documentality explosion
By Maurizio Ferraris
Contrary to the predictions of the past century, we have not witnessed the disappearance of writing but, rather, to its explosion. And more generally to the explosion of the recording. The (...)
Performing arts is my training and my initial culture. Young actor in the 90’s with among other La Compagnie du Chaland and Trottoir Express (France), I was teached to the work of the mask and the art of the jester with William Nedel. I also very (...)
We are in a society of words, and in a society of images. Citizens have become producers and broadcasters of their images, as well as being spectators. The images and their circulations modify in depth the psychosocial dimension of our lives. (...)