Content linked to Dance

Workshop for the production of films for teenagers, then organization by young people of the itinerant screening of these films, within the framework of the Port Areas Film Festival (Saint-Nazaire - France). June 2017.This workshop was held (...)

A film by Benoît Labourdette (1’28s, silent, 2020).

Mise en abyme of the presence of human bodies as abstractions, through time, techniques and cultures.

A film by Benoît Labourdette (2’24s, 2019, muet).

Why do we let ourselves be photographed?Based on photos of Mark Neville published in Le Monde “M”.

A film by Benoît Labourdette (2’04s, 2019).

How to turn the deepest jealousy into the most invested love?

Listen to the people around you and write down some of their words.

Video installation in 4 screens : human body - vegetable sculptures - video (a project by Jean-Philippe Poirée-Ville, Maëlla-Mickaëlle Maréchal, Benoît Labourdette).Four circular screens, looping: The installation is visible online.Here it is in (...)

To honor the animal, a slow dance, in the memory of falling.Instrumental music, 2017,2’51s. Improvisation of Benoît Labourdette (synthesizers).Improvisation realized in private on October (...)

A film by Benoît Labourdette (3’27s, 2018).

Gather around a book, gather yourself.

A film by Sylviane Bertrand, Benoît Labourdette and Nordine Salhi (1’, silent, 2018).

Calligraphy of bodies, crossing a history of cinema, between black and white.

Collective film (2’43s, 2018).

Objects rise.

Collective film (4’32s, 2020)

When images and objects close to the body lead to shared collective memories of important moments.

Collective film (4’22s, 2019).

They lost, or they won, they testify atypically.

The Franco-German channel ARTE is, like all TV channels, changing the very nature of its activities. ARTE pioneered early on the web (with ARTE Live Web ARTE creative, etc.). These new programs, these new kinds of relationship to the public, and (...)

A film by Benoît Labourdette (3’47s, 2016). Produced by Arcadi Île-de-France.

Documentary on the exhibition “Prosopopoeia, when objects come to life.” The look of a machine, the drone, on objects endowed with autonomy.

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