Content linked to Dialogue

’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenarioA film is, physiologically, an object that addresses only two of our (...)

A film by Benoît Labourdette (9’54s, 2014).

A mystery of the act of painting, unveiled with Richard Texier.

A film by Sylviane Bertrand and Benoît Labourdette (1’, silent, 2018).

A simple painting can create controversy in a couple.

Two voices exchange, respond, listen, not always, and sometimes are in unison.Instrumental Music, 2017, 2’12s. Improvisation by Benoît Labourdette (piano).Improvisation carried out in private, September 6, 2017 (Benoît Labourdette (...)

Collective film (4’37s, 2019).

Intimate testimonials of objects that feel lonely or abandoned.

Collective film (10’06s, 2019).

The editing of the films, where tastes are confronted: watching together, dialoguing, choosing, arranging...

One morning, we decide to go on a picnic.Instrumental music, 2014, 1’07s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in private, November 14, 2017 (Benoît Labourdette (...)

Birth“The shortest day” was born of a dynamic film professionals, who proposed early 2011 to the President of CNC Eric Garandeau, the concept of a national festival of short films, based on the model of the “Music festival” (which is held on June (...)

[Broadcasting of the film Tell me LED as an installation for the exhibition of the Palimpsest Colloquium (ESAV Toulouse)..From 18 May to 3 June 2016, at ESAV Toulouse, an exhibition accompanied the Palimpsest colloquium, where my film Tell me (...)

I have always had a multidisciplinary way of working between artistic creation, diffusion and cultural engineering, management, pedagogy, technology. These different fields interact, complement each other, feed and are in my background very (...)

Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)

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