Content linked to Dramaturgy

Voice-over is often discouraged in academic scriptwriting textbooks, which focus on the dramatic situation rather than on an interiority considered potentially boring. And yet, many films, and even “mainstream products”, successfully use (...)

One of the first difficulties of writing the script is the macroscopic structure, ie the general sense of the narrative. Forget Syd Field There are, of course, the famous “three-act structure,” dear to Syd Field (see his famous book Screenplay), (...)

A film by Benoît Labourdette (5’16s, 2011).

A meeting, like a thousand other meetings. No, it is your meeting.

A film by Benoît Labourdette, in collaboration with Louise Moaty (3’59s, 2014).

Charlotte Delbo’s words emanate from human traces of people who were living there a few hours earlier.

Does scenarios differently because of the existence and operation of the future is conceived on DVD ? It is of course difficult to generalize. You have to look in different areas. Let’s take two: film and corporate video. Film Increasingly, (...)

The fear of the blank page ... How to write a screenplay? Each has its engines, ways of inspiration, which are discussed shortly. Include Jean-Claude Carrière, who said “imagination is a muscle.”A common feature of all the writers This is probably (...)

I am very regular member commission to award financial aid to film production. In my experience, what are the best practices and pitfalls ? Why oral presentation All commissions do not offer the ability to project to make an oral presentation. (...)

Video capture of a collective creation directed by Benoît Labourdette. Played on March 26, 2016 at the CNSAD (15 minutes).

“Today, almost everyone takes the stage on digital networks, takes a presence in the gaze of others by self-portraits interposed. What about the place of our lives? What can the theater stage, representation, and poetic gesture put into motion in (...)

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