How to get listening and silence in a group? Surprisingly, by going through a work on oneself the results can be spectacular. Silence is a prerequisite to listening: a false idea
When we address a group of people, we need silence to be able to (...)
Making collective films in movie theater for high school students.
The ACAP (Pôle Image Picardie) proposed to high school students enrolled in the image education programs in 2015 (5 classes), a day to show their work in the cinema of the House (...)
Animation d’ateliers de réalisation de films dans 3 classes de lycée, pour le concours Pocket Films - Imaginascience 2015.
Dans le cadre du concours Pocket Films - Imaginascience, j’ai animé trois ateliers de réalisation de films, dans trois classes (...)
Transfer of innovative teaching tools for image education.
Hors Champs association in Niort, organizer of the Festival Takavoir (shot with mobile phones or pocket-camera films), is commissioned by the Poitou-Charentes Region, in the context of (...)
Films with mobile phones in the Students and apprentices in cinema operation (Poitou-Charentes, France).
The national operation “Students and apprentices in cinema,” supported by the National Film Centre and the moving image (CNC), offers (...)
Public synthetic presentation of the “Pocket Films Empathy” approach (Serge Tisseron and Benoît Labourdette), by involving the spectators, so that they live the subject from the inside.
On the occasion of the donation of his archives to the (...)
Screening out of competition of the film « Brahim’s backpack » by Benoît Labourdette (5’04s, 2016).
“Olonne Film Festival” is an event of high quality around the autobiographical film. In 2016, after the screening of this film, I have conducted a (...)
Pocket Films began as a film festival, founded by Benoît Labourdette with Forum des images (Paris, France, 2005-2010), dedicated to the creation of films with cell phones and pocket cameras. Its success made that it has become a common name : we (...)
I put out and I accompany the digital cinema workflows for producers, distributors, cinema and art schools : choice of cameras, post-production devices, broadcast quality... For example, I regularly manufacture (...)