Tag : Hand

Collective film (3’19s, 2018).

The little object people of a building courtyard.

A film by Benoît Labourdette (2’24s, 2019, muet).

Why do we let ourselves be photographed? Based on photos of Mark Neville published in Le Monde “M”.

A film by Benoît Labourdette (2’19s, silent, 2018).

Who is she, the one who must reinvent herself for the survival of all of us? What’s her name?

A film by Benoît Labourdette (3’51s, 2015).

Shadow of a body with multiplied members, shouting his nostalgia.

Collective film (5’52s, 2014).

The unexpected little people of a movie theater.

Video creation by Benoît Labourdette (2’16s, 2014).

Lights at night.

Film by Benoît Labourdette (1’38s, 2010).

All is only a game. Communicate with fellow via digital networks is part of the game.

Two animated films making workshops (filmed and commented drawings) for electric and gas industry workers on the theme of work. As part of its cultural activities, the Caisse Centrale d’Activites Sociales (the EDF works council) questions itself (...)

Film by Benoît Labourdette (2’21s, 2010).

Blood on the hands... who can pretend not to have some, even indirectly?

A film by Benoît Labourdette (41s, mute, 2017, pseudonym: Nelson).

Dislocated words are reformed by the hand of Man.

A film by Benoît Labourdette (1 ’, mute, 2017, pseudonym: Bernard L.).

Words have meaning.

A film by Benoît Labourdette (2’00s, 2016).

As if we vibrated in the strings of the instrument, the Greek Santouri, as if one lived its inner music.

A film by Benoît Labourdette (1’22s, silent, 2017, pseudonym: The child).

Leafing through the old photographs of the collective unconscious is to return to oneself.

A movie by Benoît Labourdette (2’19s, 2014).

Life on a blank screen...

A film by Benoît Labourdette (1’04s, silent, 2017, pseudonym: Luc Finstein).

Ragey writing can be beneficial.

Film Benoît Labourdette (1’36 s, 2010).

Everyone runs, goes about his occupations, his work, his sport, his body, his loves, his delay, its all his time, some on foot, others by car, bicycle, light clothing, or city. And if, at the top of all this turmoil, a great hand had all this, (...)

A film by Benoît Labourdette (1’42s, silent, 2017, pseudonym: Joset ’).

The spiral of a mind full of unanswered questions.

Collective film (1’55s, 2013).

Prepare all of us together for the adventure.

A film by Benoît Labourdette (4’22s, 2018).

The mysteries and paradoxes of justice, like so many traces of electric movements forgotten in the past.

Loop video by Benoît Labourdette (1’15s, 2000).

Mix of colors.

A film by Benoît Labourdette (3’02s, 2012).

A touch film, made of paper and words.

A film by Benoît Labourdette (1’02s, silent, 2017, pseudonym : Zorro).

The processes that lead to racism.

A film by Benoît Labourdette (2’57s, 2005).

Movement of the human gaze, gaze of the machines, movement of the world...

Benoît Labourdette’s film and music (2’07s, 2018).

What is life? Can simple little plastic animals help us find the answer to this question?

A film by Benoît Labourdette (1’, mute, 2017, pseudonym: Norbert).

Identity has other words in it.

Collective film (3’02s, 2015).

Hands of humans from all over the world are talking through their tattoos, to music in a building by Le Corbusier.

A film by Benoît Labourdette (0’58s, 2019).

The staging of our intimate journey through daily information. Would the world be transparent?

A film by Benoît Labourdette (1’25s, 2010).

Hands, or rather the hand, is a subject that matters to movies shot with handheld cameras : the camera in one hand, that films the other hand.

Film by Benoît Labourdette (2’06s, 2010).

In a corridor of the Paris metro, only urban universe, fruit emerge from tiled walls.

Workshop for making animated films from drawings within the framework of a professional event. Within the framework of the professional evening of the launch of the new national coordination Passeurs d’images (...)

A film by Benoît Labourdette and Lucie Vedel (3’18s, mute, 2017).

In the fault of racism, even the simplest words no longer succeed in forming, the meaning of everything is lost.

A film by Benoît Labourdette (10’06s, 2015). With Marion Geerebaert.

After the death was sown into arbitrariness, a young woman comes back to haunt her mate.

Collective film (4’42s, 2016).

Exist? In time, in space, in poetry... in the image?

Film by Benoît Labourdette (1’16s, 2010).

The trip, since the invention of the train, is a very dangerous mechanical operation. So musics, mechanical also. The landscape it also is filled with these mechanisms. Mechanisms at all levels.

Collective film (2’48s, 2018).

Lost things, between the city and nature.

A film by Benoît Labourdette and Cécile Nhoybouakong (1’17s, silent, 2017, pseudonym: C. B.)

A simple change of arrangement of letters can upset everything.

Series of photographs. Variation on the experience of a Parisian sidewalk. Shoot with the body, the hand that triggers the camera being an integral part of the optical system. Its presence before / with the objective diffracts the light rays to (...)

Un film de Benoît Labourdette (1’38s, 2019).

Utopia in everyday life....

A film by Benoît Labourdette (55s, silent, 2017, pseudonym: Aristide B.

The same ritual over and over again.

A film by Barbara Gougeon, Linda Fardon, Benoît Labourdette (1’21s, silent, 2018).

A chaste encounter.

A film by Benoît Labourdette (1’02s, 2019).

Everyone’s utopia is perhaps a drawing centred on trust.

A film by Benoît Labourdette (1’48s, silent, 2017, pseudonym: Abel A.).

Our simple alphabet is in itself of great diversity. This diversity is indispensable to every expression, every creation.

A film by Benoît Labourdette (1’38s, silent, 2017, pseudonym: Malcolm).

The face of racism are the words.

A film by Benoît Labourdette (2’08s, silent, 2017).

Prepare for a troubled comeback.

A film by Benoît Labourdette (1’30s, silent, 2017, pseudonym: Emile C.).

To reconstitute the foundations of the ethics of our societies.

A film by Benoît Labourdette (1’, 2019).

Paris as seen by its paper directory in 2019.

A film by Benoît Labourdette (2’11s, 2005).

One of the first movies shot with mobile phone.

I published the article “Lives in Pictures” in the June 2016 issue of the Spirit Journal on the theme “Power of Images”. Issue edited by Carole Desbarats. Presentation text of the article “Lives in Pictures” Smartphones and digital platforms have (...)

The program of the first Festival Caméras Mobile was rich and varied. Three times in the festival: The professional challenges of mobile cameras. Teaching with small cameras. Creating art with handheld cameras. The Festival Caméras Mobile, under (...)

I developed concepts of filmmaking workshops with handheld cameras to every kind of audiences including teenagers. Very effective, creative, rewarding for young people, so constructive, yet very fun. This is a practice that I change as and when (...)

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