Voice-over is often discouraged in academic scriptwriting textbooks, which focus on the dramatic situation rather than on an interiority considered potentially boring. And yet, many films, and even “mainstream products”, successfully use (...)
The fear of the blank page ... How to write a screenplay? Each has its engines, ways of inspiration, which are discussed shortly. Include Jean-Claude Carrière, who said “imagination is a muscle.”A common feature of all the writers
This is probably (...)
A very simple use of the mobile phone can speed up the scriptwriting work.
In many fields prototypes are made, which can also be called drafts, diagrams, wireframes, mockups... The prototype makes it possible to partially simulate the (...)
A film designed to be screened on the city walls on a travelling basis.
Yannick Marzin, director of the Scène nationale de Montbéliard, proposed to the filmmaker Joseph Morder and myself to design together a travelling film: based on a visit to (...)
Participation in a meeting on the issues of digital writing. Sharing of approaches and creations.
TheFIGRA (International Festival of Great news report) invited me to a collaborative innovation moment on the theme of digital and interactive (...)
As part of a course “Producing for TV” in CEFPF (European Center for Production of Films), I gave a half-day introductory course on topics “web documentary and transmedia (cross-media).”
To locate the “ecosystem” of developments in the sector of (...)
Project to support psychosocial and pedagogical practices around the empathy clinic and using images. By Serge Tisseron and Benoît Labourdette, accompanied bySonia Winter.
A website giving details of the methods and results opened on 1 March (...)
Accompaniment of a collaborative web documentary project initiated by Canopé 92 for the teachers of nine classes in the Hauts-de-Seine department. A web documentary project co-directed by 250 children
The Atelier Canopé 92 is at the origin of (...)
Two animated films making workshops (filmed and commented drawings) for electric and gas industry workers on the theme of work.
As part of its cultural activities, the Caisse Centrale d’Activites Sociales (the EDF works council) questions itself (...)
Filming with a drone singularly change the view of the world, and perhaps the film writing, in political and sensitive aspects.
As part of the study day “Framing/deframing Editing/Disediting - The aesthetic challenges of connected audiovisual (...)
The “mobile camera”, or “pen camera”, that everyone has now permanently in the pocket, is a myth that became reality in a few years... In this tidal wave informational become essential to the social and economic development, which place has the (...)
Overview of my filmmaking efforts from 1997 to 2017, in relation to technological developments, and the making of a “mental” film.
In the framework of a study day entitled “Self-narrative: Tool and features of the” I “on screen, organized by Claire (...)
“Identicals, the daily impressions” : impressions of everyday life, short episodes, less than 2 minutes, kinds “look at stopping” the fleeting moments, which, if one stops for a moment, reveal their depth.
The starting point of my use of video (...)