Content linked to Narrative

The fear of the blank page ... How to write a screenplay? Each has its engines, ways of inspiration, which are discussed shortly. Include Jean-Claude Carrière, who said “imagination is a muscle.”A common feature of all the writersThis is probably (...)

A very simple use of the mobile phone can speed up the scriptwriting work.In many fields prototypes are made, which can also be called drafts, diagrams, wireframes, mockups... The prototype makes it possible to partially simulate the (...)

A film designed to be screened on the city walls on a travelling basis.Yannick Marzin, director of the Scène nationale de Montbéliard, proposed to the filmmaker Joseph Morder and myself to design together a travelling film: based on a visit to (...)

A film by Benoît Labourdette (8’50s, 2013).

The visit of an empty Paris apartment, where several people lived successively. Memory fumes artists Sophie Calle and Boris Lehman.

Accompaniment of a collaborative web documentary project initiated by Canopé 92 for the teachers of nine classes in the Hauts-de-Seine department. A web documentary project co-directed by 250 childrenThe Atelier Canopé 92 is at the origin of (...)

Voice-over is often discouraged in academic scriptwriting textbooks, which focus on the dramatic situation rather than on an interiority considered potentially boring. And yet, many films, and even “mainstream products”, successfully use (...)

As part of a course “Producing for TV” in CEFPF (European Center for Production of Films), I gave a half-day introductory course on topics “web documentary and transmedia (cross-media).”To locate the “ecosystem” of developments in the sector of (...)

Filming with a drone singularly change the view of the world, and perhaps the film writing, in political and sensitive aspects.As part of the study day “Framing/deframing Editing/Disediting - The aesthetic challenges of connected audiovisual (...)

Project to support psychosocial and pedagogical practices around the empathy clinic and using images. By Serge Tisseron and Benoît Labourdette, accompanied bySonia Winter.A website giving details of the methods and results opened on 1 March (...)

Participation in a meeting on the issues of digital writing. Sharing of approaches and creations.TheFIGRA (International Festival of Great news report) invited me to a collaborative innovation moment on the theme of digital and interactive (...)

Two animated films making workshops (filmed and commented drawings) for electric and gas industry workers on the theme of work.As part of its cultural activities, the Caisse Centrale d’Activites Sociales (the EDF works council) questions itself (...)

Video capture of a collective creation directed by Benoît Labourdette. Played on March 26, 2016 at the CNSAD (15 minutes).

“Today, almost everyone takes the stage on digital networks, takes a presence in the gaze of others by self-portraits interposed. What about the place of our lives? What can the theater stage, representation, and poetic gesture put into motion in (...)

A film by Benoît Labourdette (3’48s, 2013).

One day a train. Chopped audiovisual form, from which emerge childhood memories, confrontation with the self-forgetfulness.

“Identicals, the daily impressions” : impressions of everyday life, short episodes, less than 2 minutes, kinds “look at stopping” the fleeting moments, which, if one stops for a moment, reveal their depth.The starting point of my use of video (...)

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