Expert training to technology and digital video workflows, for editing teachers from several schools in the African continent. At AFDA, Johannesburg, South Africa. Inter-school training program
CFI the French Cooperation Agency media, organizes (...)
The Cinematheque of Martigues offers a program of films by Benoît Labourdette. “From the sensitive to the camera”
Benoît Labourdette’s film program, from April 1 to 15, 2017, as part of the exhibition “Films in the Pockets”.
Collective book to which I contributed, with the article “From economy to the conversation and audiovisual creation”. Publication Date : 19 February 2014 published by Armand Colin Link to the official website of the conference that gave birth to (...)
Does scenarios differently because of the existence and operation of the future is conceived on DVD ?
It is of course difficult to generalize. You have to look in different areas. Let’s take two: film and corporate video. Film
Training methods “Pocket Films” for movie teachers in Africa. Frame
CFI (French Agency Media Cooperation) proposed in the context of the “Images of Africa” formation (training program for careers in television and cinema) a “Pocket Films” course of (...)
The MOOC of the city of Paris on digital media, with Benoît Labourdette.
The City of Paris launched “MOOC Digital Media Paris”, of which I am one of the first responders, with Dominique Cardon and ORLAN.
This MOOC is built by EPSAA (Higher (...)
The Ministry of Culture and Communication (France) launched in November 2012 a “National Consultation on Arts Education” to “enable all young people, in all territories, access to art and culture, from early childhood to university.”
I was one of (...)
As part of the Festival of documentary films “The real in sight”, Image’ is, business education to the images in Lorraine, proposed on 18 November 2016 one day of training for professionals of the education to the image, that I’ve driven, titled (...)
Animation of a conference by Benoît Labourdette on the issues of the new screens, October 8, 2010.
“What is digital ? : The stakes of new screens”: this is the theme of the 3 days of training offered by écla Aquitaine on 6, 7 and 8 October 2010. (...)
The Franco-German channel ARTE is, like all TV channels, changing the very nature of its activities. ARTE pioneered early on the web (with ARTE Live Web ARTE creative, etc.). These new programs, these new kinds of relationship to the public, and (...)
Training new media in Picardy. Course open for registration.
The training “New media, new writing, new funding” proposed by the University of Picardie and ACAP, from October 26 to 30, 2015 (duration: 30 hours) is aimed at professionals, to (...)
Vocational training on technologies and strategies for developing transmedia projects.
For the eighth year, I am the referent trainer of this 5-week professional training course at CEFPF (European Film Production Training Centre), intended (...)
Pedagogical and technical sheets for making video with mobile phone.
CLEMI, institution of the Ministry of Education whose mission to teach students citizen media practice, asked me the writing of two worksheets to help teachers to lead (...)
The daily Ouest France Ille-et-Vilaine proposed an article on the “mashup”, about a round table I set up and animated in the Travelling Festival Rennes in February 2015.
I led the team for the association Documentary on Big Screen a two-day training on technologies “Digital Cinema”.
Documentary on Big Screen is an association that supports the documentary in theaters and its dissemination in general, through (...)
Series of photographs.
Advertising posters on the walls of cities and transport corridors are to me an extremely aggressive visual factor. I’ve always been dreaming of cities with no evidence other than the architecture itself.
On November 8th, (...)
DVD (1997) and Blu-ray (2006), optical distribution media, still exist and still have multiple jobs. I am an expert in these technologies. Engineering design, project management, encoding, authoring, to manufacture the most ergonomic supports (...)
We are in a society of words, and in a society of images. Citizens have become producers and broadcasters of their images, as well as being spectators. The images and their circulations modify in depth the psychosocial dimension of our lives. (...)