Content linked to Observatory of Cultural Policies

Benoît Labourdette is a filmmaker, educator, expert in new media, cultural innovation and entrepreneur. He was born in 1970. He founded, among others, the Court Bouillon screenings (1988-1997), the video production centre of the University of (...)

Animation by Benoît Labourdette of a day of sharing digital mediation tools for cultural and digital mediators in the city of Nantes. September 17, 2019. Intentions and MeansIn order to transmit digital mediation tools that can be effective, it (...)

Collective film (7’22s, 2018).

Simple everyday objects share their interiority.

Video interview of Benoît Labourdette by the Observatory of cultural policies (3’52s, 2019).

Video interview of Benoît Labourdette: why and how to conduct cultural mediations for the younger generations in the digital age.Directed by Aurélie Doulmet.

Collective film (6’15s, 2020)

Like a little story of writing and looking, from paper to screens.

Video interview of Benoît Labourdette by the Observatory of cultural policies (5’, 2019).

Video interview with Benoît Labourdette: state of play of image practices and young people’s needs in terms of image education.Director: Aurélie Doulmet.

Territory, digital, culture, participation, participation, creativity... keys to understanding and methodologies for relevant and innovative projects.The Observatory of Cultural Policies in collaboration with l’office organized from 30 January (...)

Collective film (7’30s, 2019).

Digital things whisper their existence in our ears.

Retrospective of short films by Benoît Labourdette.The Festival Takavoir in Niort, is a “child” of the Pocket Films Festival. I had advised its founder, Guyome Simonnet, before its creation in 2009. In 2013, this is the fourth edition of the (...)

Film by Benoît Labourdette (1’39s, 2010).

Invisible war.

Workshops related to images, cinema, photography, animated films, but also writing, offered at cultural events to “passing” people. How to propose a requirement of creative quality, even in a very short (...)

Shoot movies with mobile phones as of 2005, when cameras appear in phones, shoot movies with drones from 2013, when he sold quantities at Christmas, use standalone portable projectors to project movies in the streets, deflect the techniques of (...)

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