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Benoît Labourdette is filmmaker, educator, expert in new media, cultural innovation and is a business leader. He was born in 1970. He among others founded the Court Bouillon short films screenings (1988-1997), the video production centre of Paris (...)

Collaborative action-research project led by Benoît Labourdette production in 2018 and 2019, to develop the synergy between teenage cinema attendance and cultural action. In co-production and co-piloting with Arcadi, ACRIF, Images Forum and (...)

Project to support psychosocial and pedagogical practices around the empathy clinic and using images. By Serge Tisseron and Benoît Labourdette, accompanied bySonia Winter. A website giving details of the methods and results opened on 1 March (...)

Production of a collective film by researchers in mathematics. The Laboratory of Probability and Random Models (LPMA) from universities of Paris 6 and 7 invited me to lead the way at the laboratory reentry conference, in a cinematographic way. (...)

Collective film (17’40s, 2012).

A phone frees its mind.

A week of exploration of Virtual Reality by a group of Femis and CNSAD students, leaded by Benoît Labourdette. Experiments, creations, reflections ... A philosophical and critical perspective, through playful explorations, to question the (...)

A film by Benoît Labourdette (3’48s, 2013).

One day a train. Chopped audiovisual form, from which emerge childhood memories, confrontation with the self-forgetfulness.

Film by Benoît Labourdette (2’47 s, 2016).

Is reality more real than dream, or both are equal ? Based on the “Thoughts” by Blaise Pascal (17th century).

The Polyamory series consists of very short films that challenge assumptions about love. These are graphic works linked to synthetic texts, with scientific or testimonial value. Love is a subject that is as much overused as it is little (...)

Shoot movies with mobile phones as of 2005, when cameras appear in phones, shoot movies with drones from 2013, when he sold quantities at Christmas, use standalone portable projectors to project movies in the streets, deflect the techniques of (...)

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