Tag : Social networks

Training day and co-construction of educational tools to work on self-image, designed in collaboration between theMaison de l’image (Noémie Rubat du Mérac, project manager) and Benoît Labourdette. April 26, 2018. Summary of the day on the website (...)

Collective film (2’14s, 2019).

Assuming self-image on social networks: not so easy!

A film by Benoît Labourdette (2’24s, 2019, muet).

Why do we let ourselves be photographed? Based on photos of Mark Neville published in Le Monde “M”.

Collective film (3’10s, 2019).

A revolt of objects against the Internet and its uses.

A film by Benoît Labourdette (1’08s, silent, 2019).

Younger generations are always more engaged than we think.

Collective film (4’36s, 2019).

In a movie theatre, the objects of our daily lives talk about life with social networks.

Video capture of a collective creation directed by Benoît Labourdette. Played on March 26, 2016 at the CNSAD (15 minutes).

“Today, almost everyone takes the stage on digital networks, takes a presence in the gaze of others by self-portraits interposed. What about the place of our lives? What can the theater stage, representation, and poetic gesture put into motion in (...)

Birth “The shortest day” was born of a dynamic film professionals, who proposed early 2011 to the President of CNC Eric Garandeau, the concept of a national festival of short films, based on the model of the “Music festival” (which is held on June (...)

A film by Benoît Labourdette (3’52s, 2018). Based on an interview with Yves Bonnefoy by Auxilio Alcantar.

To the question “What is poetry?”, the poet Yves Bonnefoy gives an answer that concerns the essential, in terms of philosophy.

Design and delivery of professional training in the field of image education, for teachers, facilitators, responsible for educational facilities, cultural and social, and cinema theater directors. With the new technology tools, to “connect” with (...)

We are in a society of words, and in a society of images. Citizens have become producers and broadcasters of their images, as well as being spectators. The images and their circulations modify in depth the psychosocial dimension of our lives. (...)

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