Content linked to Red

Collective film (3’19s, 2018).

The little object people of a building courtyard.

Collective film (6’15s, 2020)

Like a little story of writing and looking, from paper to screens.

Revisit the principles of four-colour printing, with inks and ashes. Fifteen “numerical paintings”. Mechanical colour reproduction does not use the same primary colours as in painting. There are only three: Red, Green and Blue. On computer (...)

A film by Benoît Labourdette (2’09s, 2010).

Let’s imagine for a moment that the sky is red...

A film by Benoît Labourdette (2’18s, 2017).

Diving inside the organic movement of the wind maybe.

A film by Benoît Labourdette (2’12s, 2018).

We’re all taking the same stairs. We meet each other there, every morning and every evening. We’re pretending nothing.

Collective film (4’22s, 2019).

They lost, or they won, they testify atypically.

Film by Benoît Labourdette (2’21s, 2010).

Blood on the hands... who can pretend not to have some, even indirectly?

A film by Benoît Labourdette (3’27s, 2018).

Gather around a book, gather yourself.

Video Creation by Benoît Labourdette (2’17s, 2014).

Enter somewhere. Not so simple...

Collective film (3’38s, 2016).

What if the books spoke?

A film by Benoît Labourdette (2’42s, 2018).

Work, potential factor of emancipation that can carry in itself its own reversal.

A film by Benoît Labourdette (2’21s, 2019).

When an architecture made of glass reveals its intrinsic abstraction.

A film by Benoît Labourdette (53s, silent, 2017, pseudonym: Stéphane G.).

“No one shall be disturbed for his opinions, even religious ones, provided their manifestation does not disturb the public order established by law.”

A film by Benoît Labourdette (1’24s, silent, 2018).

Musical and pictorial exchanges of looks, faces, sexes, bodies, times...

A film by Benoît Labourdette (1’02s, 2019).

Everyone’s utopia is perhaps a drawing centred on trust.

“The singularity” is a collaborative transmedia project, launched in 2016 by Benoît Labourdette. Around a thematic spine, over a long period of time (several years), film creations, theatrical forms, exhibitions, creative workshops in various (...)

The third edition of the Cameras Mobiles Festival took place from 21 to 22 November 2013, at Lux Scène nationale de Valence (France). The Festival was chaired by Michel Reilhac. The theme of the festival was (...)

My films are streamed here (with English subtitles). Between experimentation and narration, I often work in series. In all fields of artistic expression, the series is an important figure, because it makes it possible to express a principle, to (...)

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