Content linked to Spectacle

30-minute performance with a drone, for a filmmaker, a performer and a composer. Benoît Labourdette, Gabriel Beckinger, Philip Griffiths. The next weekend, Saturday 20 and Sunday 21 December, at 15h and 16h at the Pompidou Center (Paris), come (...)

Classical:NEXT 2018 (Rotterdam, The Netherlands) featured France. Opening evening on May 16, 2018, for 700 professionals from the classical music sector. At the request of Françoise Clerc, head of classical & jazz of the agency Le Bureau (...)

Film by Martine Stora and Benoît Labourdette (32’28s, 1995).

Meeting with André Malartre. The discovery of an inventor of theater.

“The singularity” is a collaborative transmedia project, launched in 2016 by Benoît Labourdette. Around a thematic spine, over a long period of time (several years), film creations, theatrical forms, exhibitions, creative workshops in various (...)

The projected image is an extremely rich track to animate architecture, private or public space, the theatre stage. I have been experimenting with it for a long time in the field of live performance as well as in public space. For life to be (...)

As part of the launch of the new national coordination Passeurs d’images, I proposed an “interactive cinema session”. Come in, ladies and gentlemen! On June 5, 2018, Passeurs d’images, a national image education scheme funded by the CNC and the (...)

Itinerant projection at night in Valencia, as part of the International Festival of Screenwriters, on the theme of the evolution of audiovisual writing according to technologies. The festival closes on 7 April 2018 with a screening of short (...)

I have directed five feature films. These are unique films, each made in a unique way, to be seen in a unique way as well. They are publicly projected from time to time, in an exceptional dimension of encounter, as is the case with a live (...)

Performing arts is my training and my initial culture. Young actor in the 90’s with among other La Compagnie du Chaland and Trottoir Express (France), I was teached to the work of the mask and the art of the jester with William Nedel. I also very (...)

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