Collective film (5’07s, 2016).

Books and their characters talk to each other, like or dislike their image.

A film by Benoît Labourdette (9’54s, 2014).

A mystery of the act of painting, unveiled with Richard Texier.

A film by Benoît Labourdette (53s, silent, 2017, pseudonym: Stéphane G.).

“No one shall be disturbed for his opinions, even religious ones, provided their manifestation does not disturb the public order established by law.”

A film by Benoît Labourdette (1’55s, silent, 2017, pseudonym: Bob Boss).

When nature brings us back to the Sacred.

Collective film (3’29s, 2019).

Objects share their vision of ecology and the future.

A film by Benoît Labourdette (2’55s, 2018).

The effect of submission relationships on the brain.

Film by Benoît Labourdette (3’34 s, 2016).

Reading of the last paragraphs of “’Remembrance of Things Past” by Marcel Proust. Links between literature, painting and movement.

A film by Benoît Labourdette (5’27s, 2018).

Discovering in the materiality of the world that a work of art is not what it seems.

A film by Benoît Labourdette (1’05s, 2005).

The fascination of being able to film what happens in everyday life, thanks to the first mobile phones equipped with cameras.

Pocket Films began as a film festival, founded by Benoît Labourdette with Forum des images (Paris, France, 2005-2010), dedicated to the creation of films with cell phones and pocket cameras. Its success made that it has become a common name : we (...)

I make short films as a painter makes paintings, usually in a lonely way, away from academic practices of making cinema. Some films are made in a very spontaneous way, others can take years to mature. I explore the meeting between the image and (...)