Content linked to Telephone number

The first complete guide to filmmaking with mobile phones, Dixit publishing in 2008, which remains a reference. Free download. Download the complete book. I wrote this book to make it a concrete guide, technical as of shooting and directing. I (...)

A very simple use of the mobile phone can speed up the scriptwriting work. In many fields prototypes are made, which can also be called drafts, diagrams, wireframes, mockups... The prototype makes it possible to partially simulate the (...)

Collective film (4’57s, 2019).

A double staircase going up and down, objects coming in from all over the world, a common desire.

Collective film (3’49s, 2018).

When everyone finds in himself his richness, his inner joy.

A film by Benoît Labourdette (3’33s, 2013).

In Vitrolles, in the south of France, a rocky peak overlooking the city. It is found scattered clothes and a mobile phone, in which there was a movie and a text. The work of a madman, it seems, which was not (...)

A film by Benoît Labourdette (2’11s, 2005).

One of the first movies shot with mobile phone.

Collective film (3’19s, 2018).

The little object people of a building courtyard.

A film by Benoît Labourdette (3’17s, 2010).

Let’s imagine for a moment that this shuttle is full of travelers... .

Collective film (5’49s, 2018).

Anthropomorphic introspections at school.

Collective film (2’28s, 2017).

Objects, which we imagine have been incarcerated, share their experiences.

Conference and screening of films on the audiovisual and mobile phone issue, by Benoît Labourdette. In partnership with Le Fresnoy Studio national, Benoît Labourdette was invited to present a program of short films shot with a mobile phone during (...)

Anthropologies of cinematographic devices, by Jean-Louis Comolli, Benoît Labourdette and Vincent Sorrel. The Etats Généraux du Film Documentaire offer as part of their 27th one-day seminar, 20 August 2015: “The mutations of cinema”. Introductory (...)

A film by Benoît Labourdette (2’53s, 2005).

Rediscover the world, between its real and imaginary dimensions, with a new shooting tool.

How can technologies help us think ? Focus on video to mobile phone. Discussion between Serge Tisseron and Benoît Labourdette. Serge Tisseron, a psychoanalyst specializing in images and robotics among others, offers since September 2017 a weekly (...)

Collective film (4’37s, 2019).

Intimate testimonials of objects that feel lonely or abandoned.

Collective film (4’34s, 2016).

In nature, objects share their digital experiences.

Making a collective movie by young people at the International Festival of Créteil Women’s Film. The International Festival of Créteil Women’s Film offers annually a filmmaking workshop with mobile phone / camera, I lead. Issues of production (...)

Collective film (4’11s, 2016).

In a park, games of seduction of things at pivotal moments in their lives.

Collective film (4’42s, 2016).

Exist? In time, in space, in poetry... in the image?

Collective film (7’17s, 2019).

The vision, the hearing, the framing, the screens, the contemporary audiovisual practices... when it is the objects themselves that speak about it!

Collective film (1’55s, 2013).

Prepare all of us together for the adventure.

Manufacture of QR Codes (Flashcodes) extracts of the film “Mr. Hulot’s Holiday” at the scene of the shooting. Cultural Project The association “The beautiful holiday” in Saint Marc sur mer (France), seaside town where was filmed the movie “Mr. (...)

Manage a workshop with mobile phone. The Journal of animation monthly reference tool for facilitators of socio-cultural field, invited me in 2010 to write a “share folder” to transmit issues, interest and workshops about filmmaking with mobile (...)

Collective film (5’21s, 2018).

In a movie theater, atypical travelers discuss their lives.

Collective film (4’36s, 2019).

In a movie theatre, the objects of our daily lives talk about life with social networks.

Nine films to present a selection of 2019 winners from the Afnic Foundation for Digital Solidarity. Afnic Afnic is the Internet Registry of domain names in.fr. Its profits are donated to the Afnic Foundation, which supports projects that (...)

Collective film (3’10s, 2019).

A revolt of objects against the Internet and its uses.

Film by Benoît Labourdette (1’38s, 2010).

All is only a game. Communicate with fellow via digital networks is part of the game.

Collective film (3’38s, 2019).

Crossed nostalgias in a cinema theater full of history.

A film by Benoît Labourdette (6’28s, 2016).

Remember the presence of the lost loved one in a hotel room surrounded by sand.

A film by Benoît Labourdette (2’43s, 2005).

In 2005, the cameras appear in the phones, and invite to film the daily. One of the first movies shot on mobile phones.

Collective film (1’36s, 2019).

When technology, money and organization are put at the service of violence.

Collective film (4’25s, 2017).

Small depresses of the everyday objects.

Participation in a meeting on the issues of digital writing. Sharing of approaches and creations. TheFIGRA (International Festival of Great news report) invited me to a collaborative innovation moment on the theme of digital and interactive (...)

Collective film (2’48s, 2018).

Lost things, between the city and nature.

Film shootings with drone during the end of year celebration of Paul Langevin college in Mitry-Mory. In Mitry-Mory in the Paris region (France), the Concorde cinema (led by Maëlig Cozic-Sova) initiates cultural collaborations with school (...)

Five films to affirm the identity of a Parisian cultural institution, MPAA (House of Amateur Artistic Practices). House of Amateur Artistic Practices (MPAA) Places for musical, theatrical and artistic rehearsals in the broad sense of the term, (...)

My films are streamed here (with English subtitles). Between experimentation and narration, I often work in series. In all fields of artistic expression, the series is an important figure, because it makes it possible to express a principle, to (...)

Here you will find educational tools, practical and conceptual. These tools are based on the experiences and thinking that I have developed in a large number of contexts over the past 30 years. Pedagogy is an experimental practice that has its (...)

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