Content linked to Wind

A film by Benoît Laboudette (1’59s, 2009).

Let’s imagine for a moment that this hallway is a ski slope...

A film by Benoît Labourdette (3’19s, 2011).

The trace, in the places, of the stories and dramas that took place there. A reserved parking space, another reserved parking space, empty at the moment we look at them, but which have seen so many people and life stories... who can tell so (...)

A film by Benoît Labourdette (3’37s, 2015).

Living the rustle of the world, between vegetal force, air power, and organization, speech and human culture, beyond the borders of all kinds.

Collective film (2’12s, 2018).

On a beach, the sharing of inanimate summerers’ experiences.

A film by Benoît Labourdette (2’18s, 2017).

Diving inside the organic movement of the wind maybe.

Video loop by Benoît Labourdette (1’10s, 2013).

The clouds move slowly, if you look at the sky for a brief moment, but seem to go very quickly if you take the time to look. The relativity of perceived time... And if we superimpose the pictures of themselves over time ? Or rather, if we (...)

The wind in the ears, the clothes that beat, and someone appears. Instrumental, 2014, 4’43s. Composition of Benoît Labourdette (synthesizers).

A film by Benoît Labourdette (2’59s, 2015).

Meeting between frogs and washing machines. Poetry in everyday life.

Film by Benoît Labourdette (2’06s, 2010).

At night, memories emerge. As in a dream, gestures are back in the hands, without even one noticing. It is our body that “records”, that stores, that enrolled in our memory, ’reviewing the film’ the (...)

Travel in resonance. Instrumental, 2016, 2’30s . Composition of Benoît Labourdette (synthesizers).

Real sounds remixed, 2000, 3’17s. Composition of Benoît Labourdette (granular treatment).

Walk in the Wind Instrumental Music, 2014, 2’10s. Improvisation by Benoît Labourdette (synthesizer). Improvisation carried out in private, September 24, 2014.

’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenario A film is, physiologically, an object that addresses only two of our (...)

Enter where the other is and search within yourself if, illuminated by the stained glass windows, contact with the afterlife is made. Instrumental music, 2018, 2’10s. By Benoît Labourdette (synthesizers and manufactured instrument, the “Turn me (...)

The drone, this flying camera that comes among us, raises, for a filmmaker, important issues. Military object, object for surveillance and death, object of cartographic ubiquity by multinationals, and soon business purpose, delivery device. (...)

To shoot from our homes, not to shoot our homes. Film what we see from your window and tell an important memory about this image, to share it with others we don’t know. Dare to let ourselves be surprised by the movement of our own thought, and (...)

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