The imaginary of disasters: creating together to better navigate uncertainty.
Neuroscience shows us: our brain does not differentiate between an intensely lived experience and an experience imagined with precision. It is this particularity that gives the imaginary its transformative power. When we create narratives about possible disasters, whether climatic, technological or social, we are not just telling stories. We are building neural pathways that prepare us, individually and collectively, to better react to the unexpected.
On October 11, 2025, during the second edition of this workshop at the Maison écocitoyenne in Bordeaux, twelve animated short films were created in a single day. These films, all viewable online on this page, testify to the creative richness that emerges when citizens are given the tools to express their representations of risks. What is striking is the diversity of modes of expression: with the same materials, paper, scissors, camera, each film tells a unique story. “Flood Alert” by Éliott and Virginie explores life-saving actions in the face of rising waters. “Danger and Seveso” by Zoé pedagogically explains industrial risks. “Fire and forest fire” by Carole integrates the dimension of solidarity, the one that is not written in official texts but naturally emerges when we imagine together.
The day revealed something essential: even with relatively few participants, collective creation comes to life. The mediators from the Ligue de l’enseignement, young people in civic service trained on environmental issues, themselves made several films, transforming this moment into an opportunity for authentic co-construction. “The way we are together when we do things, the listening that can exist between us, it can actually be felt in the works that are produced.” (Benoît Labourdette, during the presentation)
The imaginary is not an escape from reality, it is a tool to better inhabit it. These stories created together may help us all better navigate the storms to come.
This device invented by filmmaker Benoît Labourdette uses the animated paper cut-out technique, a simple but powerful method that allows everyone, regardless of age or experience, to create a film in less than an hour. This approach democratizes audiovisual creation: no need to know how to draw, no need to master complex software. Scissors, paper, a camera, and above all your imagination are enough.
This artisanal technique has something reassuring in our hyper-technological era. It brings us back to the manual gesture, to patient cutting, to concrete manipulation. It is also a metaphor for resilience: with simple means, we can create something strong and significant. The twelve films made this year testify to this: from the humorous story about nuclear risks to the poetic fable about mutations caused by chemical pollution, each creation finds its own voice.
Participating in this workshop means living several experiences in one:
Saturday, October 11, 2025:
You can come alone, with family, with friends. The workshop is designed to accommodate flows of participants throughout the day. Even in 30 minutes, it is possible to create a very short film!
The films produced are available on the AFPCNT YouTube channel.
This project was born from the meeting between Serge Tisseron, psychoanalyst, and Benoît Labourdette, filmmaker, and was made possible by the active coordination of Virginie Perromat and the involvement of all partners.
This initiative is part of the Bordeaux Métropole Resilience Month and the National Resilience Day on October 13. It is carried out by the AFPCNT (French Association for the Prevention of Natural and Technological Disasters) and IHMEC (Institute for the History and Memory of Disasters), in partnership with Bordeaux Métropole and the City of Bordeaux, with the support of the Maison écocitoyenne of Bordeaux and the Ligue de l’Enseignement Fédération Gironde.
Workshops related to images, cinema, photography, animated films, but also writing, offered at cultural events to “passing” people. How to propose a requirement of creative quality, even in a very short time.