Moon in the water

12 June 2014. Published by Benoît Labourdette.
  1 min
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Dialogue between a haiku of Ueda Chôshû and organic-generative kaleidoscopes images made with reality.

Haiku

How to combine text and cinematic space ? What is sensation, perception, sensitive ? Why images, words and sounds, whether concrete, do they open the doors of the imagination ?

Haiku is working with words, precisely at this intersection between meaning, emotion and imagination.

Experience among a kaleidoscope taken from the real and a haiku by Ueda Chôshû.

Was it into a thousand pieces
it is still there -
the moon in the water !

Ueda Choshu (1852-1932)

Diffusion

All the films in « Kaleidoscopes »

The kaleidoscope, a figure made up of mirrored replications of the same image, offers a very “organic” vision of things. Like a visual metaphor for cell division, it opens up a realm of perceptions and emotions far beyond the mere decoration it might at first appear to embody. This figure, very rare in films, has always questioned me, which is why I’ve been exploring it in film for a long time.

It’s been a nice surprise to see animated kaleidoscopes flourishing on screens over the last four or five years, in film and series credits in particular. I invite you to read the manifesto text on the practice of animated kaleidoscopes, which I wrote ten years ago, in 2014: « Thinking about moving kaleidoscope image ».