A new concept of internship for cultural professionals, in order to build an opening to the public who have deserted the public and associative offer. By the Observatoire des Politiques Culturelles. Course led by Benoît Labourdette.
Trainee feedback
Translated with www.DeepL.com/Translator (free version)
The cultural offer is sometimes questioned in a brutal way by the “young” public. A questioning that manifests itself in particular by an indifference towards the prescriptions of cultural institutions, or even by a disinterest in cultural places.
In 15 years, digital technology has changed the relationship of young people to time and private space. The very definition of culture and the way it is accessed have been transformed.
The “Culture, youth and digital” training course proposes to deconstruct the preconceived ideas linked to the digital transformation. It aims to take the measure of the new representations of the world and the new cultural practices closely linked to digital technology. The course aims to equip learners to be able to reinvent adapted strategies and relevant proposals that will enable them to rethink the meaning of public action for youth.
The pedagogical device involves the participants in a creative process intended to make them experience tools and an experience of “doing”. The training is conducted in a contributive spirit, facilitated by a dedicated digital platform. Its facilitation is purposely proposed remote, to consider, within the group, reinvented forms of cooperation.
The multidisciplinary pedagogical approach allows to appropriate complex notions, especially on digital technologies and their uses.
This training will be of interest to professionals and elected officials in the cultural, social and educational fields, whether or not they are familiar with digital issues.
Objectives / skills targeted
- To analyze the use of new technologies by young people.
- Design strategies, projects and cultural services for youth by working in a transversal and intersectoral manner.
- To accompany the practices, uses and rights of children and adolescents, notably by developing mixed face-to-face/distance proposals.
- Build arguments to present a project and defend it to partners, elected officials and collaborators.
- Evaluate the results of one’s action by mobilizing qualitative and shared indicators.
Contents
Knowledge and analysis
- Technologies and digital uses.
- Philosophical and political issues in the digital world.
- Psychology and sociology of youth.
- Cultural practices from childhood to adolescence.
- Cultural rights.
Methods and tools
- Mediation issues and artistic and cultural education projects.
- The proper use of digital tools and the web.
- Mobilization of young audiences.
- Dynamics of cooperation.
- Public devices and project methodologies.
- Putting cultural rights into practice in working methods.
Projects and good practices
- Studies and sharing of case studies.
- Mixed face-to-face/remote projects.
- Dialectic between mediation and creation projects.
- Project development.
- Project evaluation methods.
Audiences
- Professionals in the fields of culture, youth, education and social work.
- Managers and project managers in public authorities.
- Mediators and animators.
- Specialized arts teachers.
- Artists and speakers.
- Elected officials...
Group of 20 people maximum.
Pre-requisites
No diploma required.
Professional experience required.Pedagogical methods and means
Organization, pedagogy
- Acquisition of knowledge, methodological knowledge and professional know-how.
- Practical case studies.
- Online group workshops and individual creative work (photo, web, video).
- Editing of a free contributive platform.
Trainer
Benoît Labourdette is a filmmaker, educator, expert in new media and cultural innovation. He founded the Pocket Films Festival with the Forum des images and the National Short Film Festival for the CNC. He shares numerous methodological resources, case studies, publications and works on the website www.benoitlabourdette.com .Follow-up and evaluation
- Personal productions before and between days.
- Follow-up by the trainer to accompany the acquisition of knowledge and skills.
Hardware and media
- Stable internet connection.
- Windows, Mac or Linux personal computer (preferably with rights to install software).
- Webcam and functional microphone for videoconferencing.
- Documentary file upstream and transmission of documents downstream.
Practical information
Dates and location
Thursdays, March 10, 17 and 24, 2022 in remote.
Schedule: 9am-12:30pm / 2pm-5:30pm.
Work is to be done before and between each day.Cost of the training
800 € TTC of educational costs for 3 days, that is to say 21 hours of training.Recruitment method
On application form, to be filled on our online platform at the latest on February 28th, 2022, see on the site: www.observatoire-culture.net .
Applications will be examined according to motivation and order of arrival. Confirmations of registration will be sent within a maximum of 5 working days.Accessibility
If you have a disability, requiring technical or pedagogical adaptations, please let us know by contacting us before sending the application form.Information / Information
Tel. +33 (0)4 76 44 95 05
formations observatoire-culture.net
www.observatoire-culture.net
Qualiopi certified process.
Observatoire des Politiques culturelles
Both a force of proposal and analysis, the OPC has acquired since its creation, in 1989, a unique know-how and a recognized expertise on cultural public action in France and in Europe. The Observatory is supported by the Ministry of Culture, the Auvergne-Rhône-Alpes Region, the Isère Department, the City of Grenoble and Sciences Po Grenoble. In addition to the Culture and Youth Workshops, the Observatory offers other continuing education courses on the management of cultural projects, digital issues, cooperation and cultural rights.
1, rue du Vieux Temple 38000 Grenoble
formations observatoire-culture.net
Tel: + 33 (0)4 76 44 95 05
www.observatoire-culture.net
Link to the presentation page of the course on the website of the Observatoire des Politiques Culturelles:
www.observatoire-culture.net/rep-formations_edito/ido-77/concevoir_des_nouvelles_modalites_de_projets_culturels_et_educatifs.html
In the digital age, cultural policies, whatever their field, must in my view take digital images and their uses into account by citizens, especially the younger ones.
Digital has put the image at the center of our lives. With these tools, thought and implemented in a lucid, innovative and adapted way, it is possible to invent new strategies to mobilize, give meaning and make appropriate the cultural proposals by the public.