The singularity

31 January 2023. Published by Benoît Labourdette.
  2 min
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In 2016, I designed a participatory transmedia project on the subject of the relationship between human beings and artificial intelligences. This project was embodied in a website (https://www.la-singularite.com/), but didn’t get any further development. Today in 2024, at a time when the use of generative artificial intelligences is exploding, it’s coming back to life.

“The Singularity” is a collaborative transmedia project launched in 2016 by Benoît Labourdette. Around a thematic spine, over a long period of time (several years), film creations, theatrical forms, exhibitions, creative workshops in various fields are developed... autonomous forms, by various artists, which feed off each other.

The “technological singularity”, commonly referred to as “The Singularity”, the thematic core of this transmedia project, is the hypothesis of a future tipping point, between 2030 and 2040, at which machine intelligence will surpass human intelligence, and power over the world will completely escape human beings. These science-fiction hypotheses are now being deployed in our daily lives. They deserve to be better understood, diverted and appropriated through artistic creation.

Artificial intelligence has emancipated itself from research laboratories and works of science fiction thanks to the public launch in November 2022 of the conversational robot ChatGPT, which was very quickly appropriated by an immense number of people internationally, in professional, educational and even private contexts. The fact that artificial intelligence has now been identified by the human community as part of everyday life finally opens the door to critical awareness on this subject.

Of course, artificial intelligence concerns industry, work, creation, copyright... and we need to anticipate its future productive uses, in order to stay “up to date”. But to accompany our lives as they integrate this new facet, it seems to me essential to produce a critical thought, i.e. to put ourselves in a position to reflect on what is happening to us, what is changing us, to remain lucid and capable of freedom of thought and action.
What is “critical thinking”? It means questioning, from the outside, practices that have been internalized. To do this, I believe that experimentation, cultural action, play and hijacking are highly effective tools for research, exploration, dissemination and reflection. For me, research is collaborative, and intelligence is collective and creative. This requires good methods of cooperation, between human beings and with machines. Here, I bring together stories of experience, methodological texts and practical ideas. I share concrete ways in which artificial intelligence, like any other tool, can be invested in the service of humanism.

Here are a few openings for critical thinking on AI, in the form of questions:

  • Is artificial intelligence a subject in itself? Is it not rather a medium of existence, like digital technology, whose fields need to be distinguished in detail?
  • Why do we never talk about ecology when we talk about artificial intelligence?
  • Which works of science fiction would come closest to what we’re currently experiencing with AIs?
  • How can we use artificial intelligence in a playful way? How can we imagine creative activities for young and old alike?
  • What is the nature of the entanglement between artificial intelligence and the capitalist project?
  • What are the political dimensions of artificial intelligence?
  • How does artificial intelligence concern philosophy? Which philosophers are working on the subject today?
  • What is the history of artificial intelligence? Both its successive myths and the evolution of its technologies.
  • How can we create artificial intelligence ourselves? In particular, with the Python language.
  • Are there unseen artificial intelligences that have a major influence on our lives?
  • What does artificial intelligence bring to creation? How can we experiment with it?

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