Documentary film and artificial intelligence" round table (Golden Tree Festival - 7th edition)

22 April 2023. Published by Benoît Labourdette.
  1 min
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Benoît Labourdette participated in the moderation, interventions and collaborative dimension of this round table on “Documentary and Artificial Intelligence”, to situate the philosophical and political stakes of the use of artificial intelligence.

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Documentary film and artificial intelligence" round table (Golden Tree Festival - 7<sup class="typo_exposants">th</sup> edition) - 1 © Benoît Labourdette 2023. Documentary film and artificial intelligence" round table (Golden Tree Festival - 7<sup class="typo_exposants">th</sup> edition) - 2 © Benoît Labourdette 2023. Documentary film and artificial intelligence" round table (Golden Tree Festival - 7<sup class="typo_exposants">th</sup> edition) - 3 © Benoît Labourdette 2023. Documentary film and artificial intelligence" round table (Golden Tree Festival - 7<sup class="typo_exposants">th</sup> edition) - 4 © Benoît Labourdette 2023. Documentary film and artificial intelligence" round table (Golden Tree Festival - 7<sup class="typo_exposants">th</sup> edition) - 5 © Benoît Labourdette 2023.

Artificial intelligence has emancipated itself from research laboratories and works of science fiction thanks to the public launch in November 2022 of the conversational robot ChatGPT, which was very quickly appropriated by an immense number of people internationally, in professional, educational and even private contexts. The fact that artificial intelligence has now been identified by the human community as part of everyday life finally opens the door to critical awareness on this subject.

Of course, artificial intelligence concerns industry, work, creation, copyright... and we need to anticipate its future productive uses, in order to stay “up to date”. But to accompany our lives as they integrate this new facet, it seems to me essential to produce a critical thought, i.e. to put ourselves in a position to reflect on what is happening to us, what is changing us, to remain lucid and capable of freedom of thought and action.
What is “critical thinking”? It means questioning, from the outside, practices that have been internalized. To do this, I believe that experimentation, cultural action, play and hijacking are highly effective tools for research, exploration, dissemination and reflection. For me, research is collaborative, and intelligence is collective and creative. This requires good methods of cooperation, between human beings and with machines. Here, I bring together stories of experience, methodological texts and practical ideas. I share concrete ways in which artificial intelligence, like any other tool, can be invested in the service of humanism.

Here are a few openings for critical thinking on AI, in the form of questions:

  • Is artificial intelligence a subject in itself? Is it not rather a medium of existence, like digital technology, whose fields need to be distinguished in detail?
  • Why do we never talk about ecology when we talk about artificial intelligence?
  • Which works of science fiction would come closest to what we’re currently experiencing with AIs?
  • How can we use artificial intelligence in a playful way? How can we imagine creative activities for young and old alike?
  • What is the nature of the entanglement between artificial intelligence and the capitalist project?
  • What are the political dimensions of artificial intelligence?
  • How does artificial intelligence concern philosophy? Which philosophers are working on the subject today?
  • What is the history of artificial intelligence? Both its successive myths and the evolution of its technologies.
  • How can we create artificial intelligence ourselves? In particular, with the Python language.
  • Are there unseen artificial intelligences that have a major influence on our lives?
  • What does artificial intelligence bring to creation? How can we experiment with it?

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