The key in the lock

16 February 2025. Published by Benoît Labourdette.
  2 min
 |  Download in PDF

Like a key in a lock, each narrative element must perfectly adapt to the context of the story to move it forward. A new character, setting, or prop possesses characteristics that must fit into the existing narrative to create fluid and credible movement.

The Key and Lock Metaphor

The functioning of a lock with its key is absolutely obvious to everyone. An ill-fitted key will not be able to open the lock. However, a relatively similar key, with some forcing, might manage to open the lock. And someone with the technique to pick locks might succeed in opening it without a key.

This metaphor seems very useful when applied to screenwriting, to the narrative elements that build a story and move it forward. Let’s consider a new narrative element – a character, a setting, a time of day, a prop, etc. Let’s view it as a key, with the general context of the story being the lock. If this key adapts to the general context, it will unlock the lock, that is, move the story forward.

Narrative Thresholds

A key consists of a number of notches and bumps that correspond, in negative, to the constituent elements of the lock. Thus, if we take the example of a new character entering the story, they must have a certain number of characteristics that will fit into the constituent elements of the pre-existing narrative: their relationship with other characters, their place in the social context, their position in the family being discovered, etc. Of course, this new character also has their own personality and specificities, with which they can enrich the story.

But in my opinion, we should never forget to consider them as a key entering the context of the story. Thus, we can anticipate how, once all the narrative elements of this character align with the whole story – like a key that will perfectly insert into a lock – this will, at some point, move the story in a major way, making it cross a threshold in the narrative. This is built through an addition of small elements, like the notches and bumps of the key, which, once aligned, allow the story to progress in a powerful, fluid, and plausible manner.

Tools and Techniques for Screenwriting and Film Project Development.

In our world where artificial intelligences create films directly from the desires of their authors expressed in very few words, in this world where 3.5-hour films in dark theaters coexist with 10-second videos on social networks—which of these require screenplays, why, and what is a screenplay?

Is a screenplay still useful in an era where everyone carries in their pocket audiovisual creation tools of nearly professional quality? What is the purpose of a screenplay?

For writers, directors, producers, and especially content creators, as they are most often called today, I believe that the screenplay, its methods of creation, its writing techniques, and its ways of telling stories, is an extremely powerful tool to help us create the most impactful audiovisual works possible—works that will best connect with their audiences today and tomorrow, across their respective distribution platforms, whether in movie theaters, on television screens, on SVOD platforms, on community video sites, or on new media built exclusively around collaborative video like TikTok.

This guide does not claim to be exhaustive, but it is based on concrete experiences—those I have lived and those I have facilitated. For over 30 years, I have supported thousands of people in making films of all genres, founded and directed several film festivals, created numerous innovative events around audiovisual media, and also served on creative funding committees. What I share here is therefore subjective and practical, drawn from my journey and my observations in practice.


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