’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenarioA film is, physiologically, an object that addresses only two of our (...)
Underlying dialogues in the face of the sea spray.Notes and sounds thrown like seeds, which matured during four to five years, to gradually gather, find each other and propose to germinate, to come out of the ground.Download the album “Exit (...)
A film by Benoît Labourdette (3’36, 2012).
“Break”, this time of the working day in which humans are placed in a non-productive state finally.
A film by Benoît Labourdette (2’58s, 2013).
Body, space and timeA body in the city at night. The body of the eye. The look of the body. The experience of coming and going, which is the breath of a city. Is the time in the city, is a chronological space in the perception that one has ? (...)
A film by Benoît Labourdette (2’15s, 2005).
Looks and desires in the subway.
The drone as a tool for sound creation.The Wave Length Festival 12th Festival of the radio and listening (Brest - France), invited me as part of a partnership with INA to lead a masterclass / performance with a drone, which led to the creation (...)
From the point of view of perception, a film is only an illusion formed by our brain from visual and auditory stimuli. Images seen can produce sounds and vice versa. Each person mentally constructs a different film from the same film seen. Thus (...)
A selection of music that I have composed and performed for my films.
Musical creations, often improvised, usually made with an analog synthesizer, in public or private. For improvisations, the general principle is to play a single instrument, to create the whole sound live. No pre-existing rhythm on which to (...)