Sound atmosphere

Take sound into account when writing scripts

’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenario A film is, physiologically, an object that addresses only two of our (...)

7 March 2019

3 min

Exit From The Ground (2021)

Musical album

Underlying dialogues in the face of the sea spray. Notes and sounds thrown like seeds, which matured during four to five years, to gradually gather, find each other and propose to germinate, to come out of the ground. Download the album “Exit (...)

10 May 2021

Wave Length Festival : “Drones listening” (masterclass and performance)

The drone as a tool for sound creation. The Wave Length Festival 12th Festival of the radio and listening (Brest - France), invited me as part of a partnership with INA to lead a masterclass / performance with a drone, which led to the creation (...)

30 January 2015

2 min

Dream

A film by Benoît Labourdette (2’15s, 2005).

Looks and desires in the subway.

1 June 2005

No entry

A film by Benoît Labourdette (2’58s, 2013).

Body, space and time A body in the city at night. The body of the eye. The look of the body. The experience of coming and going, which is the breath of a city. Is the time in the city, is a chronological space in the perception that one has ? (...)

8 February 2013

Break

A film by Benoît Labourdette (3’36, 2012).

“Break”, this time of the working day in which humans are placed in a non-productive state finally.

18 November 2012

Interlacing magazine: “The mental film”

From the point of view of perception, a film is only an illusion formed by our brain from visual and auditory stimuli. Images seen can produce sounds and vice versa. Each person mentally constructs a different film from the same film seen. Thus (...)

27 October 2018

14 min

Soundtracks

A selection of music that I have composed and performed for my films.

Musical Creations

Musical creations, often improvised, usually made with an analog synthesizer, in public or private. For improvisations, the general principle is to play a single instrument, to create the whole sound live. No pre-existing rhythm on which to (...)