’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenarioA film is, physiologically, an object that addresses only two of our (...)

A film by Benoît Labourdette (2’58s, 2013).

Body, space and timeA body in the city at night. The body of the eye. The look of the body. The experience of coming and going, which is the breath of a city. Is the time in the city, is a chronological space in the perception that one has ? (...)

A film by Benoît Labourdette (2’15s, 2005).

Looks and desires in the subway.

The drone as a tool for sound creation.The Wave Length Festival 12th Festival of the radio and listening (Brest - France), invited me as part of a partnership with INA to lead a masterclass / performance with a drone, which led to the creation (...)

A film by Benoît Labourdette (3’36, 2012).

“Break”, this time of the working day in which humans are placed in a non-productive state finally.

A film by Benoît Labourdette (6’40s, 2017). With Marion Geerebaert.

A mother returns in the footsteps of her missing daughter. The work of mourning, like the work of birth, is a work of unconditional love.

A film by Benoît Labourdette (2’55s, 2009).

Let’s imagine for a moment that these air launchers are flame throwers...

“Multimedia” is an old term (Bob Goldstein, 1966) that refers to the fact of mobilizing together several media (text, still or moving image, sound, interactivity...). The use of the Internet is essentially multimedia. There are regular attempts to (...)

I compose the soundtracks and music of most of my movies, and also compose, more rarely, autonomous musical pieces. Free treaming and download.