DCP

Tutorial for a professional practice

The DCP (Digital Cinema Package), is the “digital file format” specific to projection in cinemas (since the disappearance of 35mm film copies in 2012). It is an international technical standard. Here is a summary of the best practices for creating (...)

Blu-ray discs specifically designed for theatrical release. The heritage of Jacques Tati in digital The films of my uncle, founded in 2000 by Jérôme Deschamps and Macha Makeïeff to restore and distribute the films of Jacques Tati, now broadcasts (...)

Lost film distribution, a company headed by Marc Olry, releases in theaters in August 2013 Ryan’s Daughter, directed by David Lean (1970, with Robert Mitchum Sarah Miles, Christopher Jones). Quidam production ensured the upscaling and (...)

Participation in the organization of a digital film heritage. Benefits of digitization Beyond the technical debates between analog and digital cinema, digitization of film heritage works is a blessing for their durability and technical quality (...)

Expert training to technology and digital video workflows, for editing teachers from several schools in the African continent. At AFDA, Johannesburg, South Africa. Inter-school training program CFI the French Cooperation Agency media, organizes (...)

Express Training about the basics and best practices of digital video, for the authors of the SCAM. The SCAM (Civil Society of Multimedia Authors) has for the first time offered its members technical training, because everyone is increasingly (...)

5 day course : technical basis, strategy and creativity for new media. The students of the “Licence Pro audiovisual designer director” (University Paul Valéry - Montpellier 3 - France) have a multidisciplinary profile, both artistic and technical. (...)

We produce DCP (Digital Cinema Package) of movies, ie digital copies for projection in theaters. Very precise standards Standards projection in theaters, either at the picture and sound are extremely accurate. This is a great opportunity for (...)

I put out and I accompany the digital cinema workflows for producers, distributors, cinema and art schools : choice of cameras, post-production devices, broadcast quality... For example, I regularly manufacture (...)

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