Content linked to DCP

5 day course : technical basis, strategy and creativity for new media.The students of the “Licence Pro audiovisual designer director” (University Paul Valéry - Montpellier 3 - France) have a multidisciplinary profile, both artistic and technical. (...)

Blu-ray discs specifically designed for theatrical release. The heritage of Jacques Tati in digitalThe films of my uncle, founded in 2000 by Jérôme Deschamps and Macha Makeïeff to restore and distribute the films of Jacques Tati, now broadcasts (...)

Participation in the organization of a digital film heritage. Benefits of digitizationBeyond the technical debates between analog and digital cinema, digitization of film heritage works is a blessing for their durability and technical quality (...)

Lost film distribution, a company headed by Marc Olry, releases in theaters in August 2013 Ryan’s Daughter, directed by David Lean (1970, with Robert Mitchum Sarah Miles, Christopher Jones).Quidam production ensured the upscaling and (...)

Expert training to technology and digital video workflows, for editing teachers from several schools in the African continent. At AFDA, Johannesburg, South Africa. Inter-school training programCFI the French Cooperation Agency media, organizes (...)

Express Training about the basics and best practices of digital video, for the authors of the SCAM.The SCAM (Civil Society of Multimedia Authors) has for the first time offered its members technical training, because everyone is increasingly (...)

The Forum des Images cultural institution in the city of Paris, is a cultural place of film programming, offers a collection of films about Paris and beyond, as well as many resources on its website. The teams face very directly to rapid changes (...)

Training new media in Picardy. Course open for registration.The training “New media, new writing, new funding” proposed by the University of Picardie and ACAP, from October 26 to 30, 2015 (duration: 30 hours) is aimed at professionals, to (...)

I put out and I accompany the digital cinema workflows for producers, distributors, cinema and art schools : choice of cameras, post-production devices, broadcast quality... For example, I regularly manufacture (...)

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