Expression

A film by Benoît Labourdette (4’19s, 2018).

“I am absolutely convinced that anyone, without any special knowledge or skills, without having to look at I don’t know what so-called native dispositions, can devote themselves to art with every chance of success.” Jean (...)

How can technologies help us think ? Focus on video to mobile phone. Discussion between Serge Tisseron and Benoît Labourdette. Serge Tisseron, a psychoanalyst specializing in images and robotics among others, offers since September 2017 a weekly (...)

Interview of Benoît Labourdette by Jean-Yves de Lépinay (11’37s, 2020).

Sharing examples of audiovisual creation workshops conducted in the spirit of cultural rights: moving from “participation” to “interaction.” This trust we choose to put in others is a risk we take, it changes us. We take the risk of being able to (...)

Training day and co-construction of educational tools to work on self-image, designed in collaboration between theMaison de l’image (Noémie Rubat du Mérac, project manager) and Benoît Labourdette. April 26, 2018. Summary of the day on the website (...)

Filmmaking workshops in holiday centres. Holiday centres CCAS traditionally offer holidaymakers many quality cultural activities. In the summer of 2018, we proposed an innovative, creative and participatory activity as part of the “Act’éthiques” (...)

Analysis of a success.

A 10-second video posted on the social network TikTok on August 18, 2020 has made, one month later, more than 400 million views, and the highest number of “I like” since the beginning of this social network. Hypothesis on the reasons for this (...)

My films are streamed here (often with English subtitles). Between experimentation and narration, I often work in series. In all fields of artistic expression, the series is an important figure, because it makes it possible to express a (...)

To take full ownership of digital as a tool for audiovisual production, as a language for self-expression, it is necessary, in my point of view, to considered it in the concrete of its materiality, to no longer represent it as an abstraction, (...)

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