The MOOC of the city of Paris on digital media, with Benoît Labourdette. The City of Paris launched “MOOC Digital Media Paris”, of which I am one of the first responders, with Dominique Cardon and ORLAN. This MOOC is built by EPSAA (Higher (...)
A “Photo Booth” machine with interactive marketing hit me. I made this series of photos into a movie. But in reality, the photos are already in the film series, it is not necessary to change the (...)
Voice-over is often discouraged in academic scriptwriting textbooks, which focus on the dramatic situation rather than on an interiority considered potentially boring. And yet, many films, and even “mainstream products”, successfully use (...)
Filming with a drone singularly change the view of the world, and perhaps the film writing, in political and sensitive aspects. As part of the study day “Framing/deframing Editing/Disediting - The aesthetic challenges of connected audiovisual (...)
A film designed to be screened on the city walls on a travelling basis. Yannick Marzin, director of the Scène nationale de Montbéliard, proposed to the filmmaker Joseph Morder and myself to design together a travelling film: based on a visit to (...)
Collective film (10’06s, 2019).
The editing of the films, where tastes are confronted: watching together, dialoguing, choosing, arranging...
A film by Benoît Labourdette (6’44s, 2016).
Making the teaser of the opera “The Cunning Little Vixen” (production Arcal, directed by Louise Moaty). March 2016. We designed, with the stage director Louise Moaty, the live video stage device of this opera. Logically, the Arcal, producer of (...)
Expert training to technology and digital video workflows, for editing teachers from several schools in the African continent. At AFDA, Johannesburg, South Africa. Inter-school training program CFI the French Cooperation Agency media, organizes (...)
The first complete guide to filmmaking with mobile phones, Dixit publishing in 2008, which remains a reference. Free download. Download the complete book. I wrote this book to make it a concrete guide, technical as of shooting and directing. I (...)
“Identicals, the daily impressions” : impressions of everyday life, short episodes, less than 2 minutes, kinds “look at stopping” the fleeting moments, which, if one stops for a moment, reveal their depth. The starting point of my use of video (...)