Video interview of Benoît Labourdette by the Observatory of cultural policies (3’52s, 2019).
Video interview of Benoît Labourdette: why and how to conduct cultural mediations for the younger generations in the digital age.Directed by Aurélie Doulmet.
Collective film (7’30s, 2019).
Digital things whisper their existence in our ears.
Benoît Labourdette is a filmmaker, educator, expert in new media, cultural innovation and entrepreneur. He was born in 1970. He founded, among others, the Court Bouillon screenings (1988-1997), the video production centre of the University of (...)
Animation by Benoît Labourdette of a day of sharing digital mediation tools for cultural and digital mediators in the city of Nantes. September 17, 2019. Intentions and MeansIn order to transmit digital mediation tools that can be effective, it (...)
Video interview of Benoît Labourdette by the Observatory of cultural policies (5’, 2019).
Video interview with Benoît Labourdette: state of play of image practices and young people’s needs in terms of image education.Director: Aurélie Doulmet.
Territory, digital, culture, participation, participation, creativity... keys to understanding and methodologies for relevant and innovative projects.The Observatory of Cultural Policies in collaboration with l’office organized from 30 January (...)
Collective film (6’15s, 2020)
Like a little story of writing and looking, from paper to screens.
Collective film (7’22s, 2018).
Simple everyday objects share their interiority.
What methodology should be adopted to build cultural projects that have the capacity to tame uncertainty and thus become more deeply rooted in their objectives? Methodological proposal, based on the thesis of Nassim Nicholas Taleb, the (...)
The “cultural rights”, which derive from the Universal Declaration of Human Rights, are a concept developed and defended by researchers, sociologists, philosophers, political leaders and actors of the cultural world. Present in a certain number of (...)
What’s the point of culture? What is cinema? Will we go back to cultural places? Is it necessary to rethink cultural proposals in order to adapt them? But adapt them to what and how? These are fundamental questions that are being asked today by (...)