A film by Benoît Labourdette and Lucie Vedel (3’18s, mute, 2017).
In the fault of racism, even the simplest words no longer succeed in forming, the meaning of everything is lost.
A film by Benoît Labourdette (1’21s, silent, 2017, pseudonym: Jean-Jacques).
To look at each other, to face our violence.
A film by Benoît Labourdette (1’42s, silent, 2017, pseudonym: Joset ’).
The spiral of a mind full of unanswered questions.
A film by Benoît Labourdette (1’53s, 2021).
At the moment when everything tilts our third eye opens. And is discovered to us like an ultrasound of reality.
A film by Benoît Labourdette (53s, silent, 2017, pseudonym: Stéphane G.).
“No one shall be disturbed for his opinions, even religious ones, provided their manifestation does not disturb the public order established by law.”
A face projected on a face, or the mise en abîme of the identity. Images that stay in the head During a workshop day that I conducted as part of the Master Digital Media of the University of Grenoble in November 2016, I photographed the (...)
A film by Benoît Labourdette (1’02s, 2019).
Everyone’s utopia is perhaps a drawing centred on trust.
Collective film (3’02s, 2015).
Hands of humans from all over the world are talking through their tattoos, to music in a building by Le Corbusier.
A film by Benoît Labourdette (1’54s, 2021).
“The harder you try to see - by staring strongly and trying not to blink - the more difficult it is to see where you are aiming.” (William Bates, “Perfect Sight Without Glasses,” 1920).
Collective film (5’28s, 2020).
When talking objects teach us that digital can create human connection.
From the point of view of perception, a film is only an illusion formed by our brain from visual and auditory stimuli. Images seen can produce sounds and vice versa. Each person mentally constructs a different film from the same film seen. Thus (...)
The “cultural rights”, which derive from the Universal Declaration of Human Rights, are a concept developed and defended by researchers, sociologists, philosophers, political leaders and actors of the cultural world. Present in a certain number of (...)
The drone is “democratizing”, begins to enter our lives. The world seen from above, the real world through this flying eye, disembodied, as in our vision of virtual worlds... our representation of the world is changing because of this new “look”, (...)