Methodological proposal.

What methodology should be adopted to build cultural projects that have the capacity to tame uncertainty and thus become more deeply rooted in their objectives? Methodological proposal, based on the thesis of Nassim Nicholas Taleb, the (...)

How can technologies help us think ? Focus on video to mobile phone. Discussion between Serge Tisseron and Benoît Labourdette.Serge Tisseron, a psychoanalyst specializing in images and robotics among others, offers since September 2017 a weekly (...)

A film by Benoît Labourdette (2’22s, 2021).

Thinking the mystery of life through mathematics.

Publication of an article in the special addon of ArtPress “Richard Texier, PANTHEO vortex” (June-July 2014).Download complete article (bilingual english-french)ArtPress devoted a special addon to Richard Texier, French painter and sculptor, (...)

A film by Benoît Labourdette (5’11s, 2014).

The myth of scientific progress. According to Albert Bayet.

Collective book to which I contributed, with the article “From economy to the conversation and audiovisual creation”. Publication Date : 19 February 2014 published by Armand Colin Link to the official website of the conference that gave birth to (...)

Development of practical and creative thinking in the pedagogy of images, with digital photography.July 8, 2013, invited by Jean-Yves Moirin and Francis Jolly in the Seminar of the Photographic Encounters, I proposed a conference on the (...)

A film by Richard Texier and Benoît Labourdette (8’51s, 2014).

Film Richard Texier’s paintings with a drone...

I published the article “Lives in Pictures” in the June 2016 issue of the Spirit Journal on the theme “Power of Images”. Issue edited by Carole Desbarats. Presentation text of the article “Lives in Pictures”Smartphones and digital platforms have (...)

Inventing art forms, filmed with drone.The Company, place of contemporary art in Marseille, led by Paul-Emmanuel Odin, invited me to offer to local youth, in the central and very popular in Marseille where it is an audiovisual creative (...)

Reflection and starting point for experiments.

Moving images are verticalizing. This is far from being anecdotal and has an impact on our representation of the world. What philosophical changes does this bring about? How can we explore them? How can we share them? Images are becoming more (...)

A film by Benoît Labourdette (5’09s, 2018).

A film can be like a spiritual, philosophical object, a text that accompanies our lives and teaches us new things every time we watch it.

A film by Benoît Labourdette (2’06s, 1999-2019).

A contemplative journey through the energy of light, between nature and electronics.

A film by Benoît Labourdette (4’06s, 2020).

Light is what gives existence.

Film by Benoît Labourdette (2’47 s, 2016).

Is reality more real than dream, or both are equal ? Based on the “Thoughts” by Blaise Pascal (17th century).

Les droguistes, cultural magazine online, offers a “cultural program” every week. In February 2016, links to my last films published, and back on the film Fatigue, in a article with which I feel in agreement. CanvasLabourdette, working time (...)

Benoît Labourdette is a filmmaker, educator, expert in new media, cultural innovation and entrepreneur. He was born in 1970. He founded, among others, the Court Bouillon screenings (1988-1997), the video production centre of the University of (...)

Essay, by Emmanuel Vergès

In the construction of cultural proposals, focus attention on the lived and shared experience. Short essay on the philosophy of action and the function of art.Benoît Labourdette’s work, between By my window and street projections, makes me think (...)

The Polyamory series consists of very short films that challenge assumptions about love. These are graphic works linked to synthetic texts, with scientific or testimonial value.Love is a subject that is as much overused as it is little (...)

The image has become a language that everyone “speaks” on a daily basis, much more so than before the democratization of digital tools. Thus the stakes of images touch more than ever our existence in a very direct way, at the psychological, (...)