Content linked to Pen

Collective film (2’55s, 2020).

When objects share their experience of deconfinement..

Collective film (3’10s, 2019).

A revolt of objects against the Internet and its uses.

Collective film (2’48s, 2018).

Lost things, between the city and nature.

Collective film (7’30s, 2019).

Digital things whisper their existence in our ears.

Collective film (2’14s, 2019).

Assuming self-image on social networks: not so easy!

Collective film (4’25s, 2017).

Small depresses of the everyday objects.

Collective film (0’54s, 2019).

How do we find good reasons to leave and fight?

Collective film (4’22s, 2019).

They lost, or they won, they testify atypically.

Collective film (1’45s, 2020).

Harassed or stalker, how the functions lock each other up.

Collective film (3’27s, 2015).

In nature, objects sing to give themselves courage.

Collective film (4’32s, 2020)

When images and objects close to the body lead to shared collective memories of important moments.

Collective film (6’15s, 2020)

Like a little story of writing and looking, from paper to screens.

Collective film (2’28s, 2017).

Objects, which we imagine have been incarcerated, share their experiences.

Collective film (1’56s, 2016).

From the end of the world, from the end of time, crossings on a terrace.

Collective film (4’34s, 2016).

In nature, objects share their digital experiences.

Collective film (4’37s, 2019).

Intimate testimonials of objects that feel lonely or abandoned.

The Pocket Films Festival (which I founded with Forum des images - Paris, concepted and directed), during its six years of existence (2005 to 2010 at the Forum des Images and the Centre Pompidou, France), built an original editorial, innovative, (...)

Course nightly screenings, in a workshop within the Travelling Film Festival 2015 Rennes.Registrants have spent the afternoon with me, to choose each a short film, or a film clip, they wanted to share. Then we explored the area around the (...)

Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)

The films gathered here were made in a collaborative way in 2019 as part of the participatory artistic action DIA LOG, which accompanies the changes in the Les Navigateurs district of Choisy-le-Roi. Immersed in the eyes of the children of the (...)

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