Collective film (4’32s, 2020)
When images and objects close to the body lead to shared collective memories of important moments.
Collective film (2’48s, 2018).
Lost things, between the city and nature.
Collective film (4’22s, 2019).
They lost, or they won, they testify atypically.
Collective film (3’10s, 2019).
A revolt of objects against the Internet and its uses.
Collective film (2’28s, 2017).
Objects, which we imagine have been incarcerated, share their experiences.
Collective film (1’45s, 2020).
Harassed or stalker, how the functions lock each other up.
Collective film (4’34s, 2016).
In nature, objects share their digital experiences.
Collective film (1’56s, 2016).
From the end of the world, from the end of time, crossings on a terrace.
Collective film (2’14s, 2019).
Assuming self-image on social networks: not so easy!
Collective film (4’25s, 2017).
Small depresses of the everyday objects.
Collective film (6’15s, 2020)
Like a little story of writing and looking, from paper to screens.
Collective film (4’37s, 2019).
Intimate testimonials of objects that feel lonely or abandoned.
Collective film (2’55s, 2020).
When objects share their experience of deconfinement..
Collective film (7’30s, 2019).
Digital things whisper their existence in our ears.
Collective film (3’27s, 2015).
In nature, objects sing to give themselves courage.
Collective film (0’54s, 2019).
How do we find good reasons to leave and fight?
Day of intergenerational filmmaking workshops at the Le Garde Chasse theatre-film theatre (Les Lilas - 93).As part of the support for the City of Lilacs’ digital development project, Benoît Labourdette is setting up actions to prefigure and (...)
Series of photographs.The long obturation photographs at night with camera movements produce drawings, often very aesthetic visual universe, because of the continuity of the lines thus formed, which produce a visual “automatic” almost harmony. (...)
Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)
The films gathered here were made in a collaborative way in 2019 as part of the participatory artistic action DIA LOG, which accompanies the changes in the Les Navigateurs district of Choisy-le-Roi. Immersed in the eyes of the children of the (...)