Cultural Rights

Cultural Rights © Benoît Labourdette.

The “cultural rights”, which derive from the Universal Declaration of Human Rights, are a concept developed and defended by researchers, sociologists, philosophers, political leaders and actors of the cultural world. Present in a certain number of articles of law since 2001, the cultural rights aim at highlighting and formalizing, in order to be able to make them operative, the principles of a “cultural democracy”. To summarize it quickly, it is a question of each person being able to give value to his or her personal culture, in order to be able to exercise his or her citizenship: to express himself or herself, to defend his or her point of view, to create, to develop his or her practices, to have access to a cultural diversity, etc. Cultural rights operate in a much wider field than that of the strict cultural sector.

The notion of “cultural rights” is present in France in the laws NOTRe (2015) and LCAP (2016). It is carried by a delegation of the Ministry of Culture (General Delegation for transmission, territories and cultural democracy, since January 1, 2021).

Paradoxically, cultural rights are difficult to implement in the cultural sector, which is traditionally rather attached to “cultural democratization”: one often defends the idea of the transmission to the public of works of art of the best possible quality, according to a principle of hierarchy of “cultural values”. Thus, the cultural rights can be lived by certain professionals of the culture as a dangerous dynamics for the Art, a tendency towards the amateur practices, which is not the case.

In my point of view, which is that of a practitioner/researcher in the cultural field, cultural rights are above all a practice, an exercise of democracy in the very methods of organization of the work, of the relation to the other and of the place of each one, the choices of programming, the methods of mediation and animation of workshops, the mode of territorial inscription of the cultural policy, etc.

I propose in this section concrete working methods for good practices of implementation of cultural rights, based on my field experiences, as well as a sharing of more theoretical reflections, in the framework of my own research on cultural rights.

I place myself in the filiation of thinkers like John Dewey. But cultural rights cannot be presented without mentioning Patrice Meyer-Bisch, Jean-Michel Lucas, Christelle Blouët, the “Fribourg Declaration”, etc.


Poem in automatic writing about « Cultural Rights »
To see oneself in front of the roots of a tree. It is equipped with a “Keyword” system, which enables content to be linked in a very efficient and useful way, as it enables thematic cross-sectional navigation through the site’s content, thus focusing on the user’s needs. Workshops designed and run by Benoît Labourdette, with the collaboration of Loussiné Villelegier. Is it culture in the anthropological sense, meaning what constitutes us (our history, roots, tastes, etc.)? Methodological proposal, based on the thesis of Nassim Nicholas Taleb, the philosophy of François Jullien and the psychological studies of Olivier Houdé. Thanks to all these books to which I give myself access, I have access to an immense amount of information, which allows me to advance very very quickly in creation, in knowledge and in work. I find John Dewey inspiring because, in contrast to the quest for “good principles”, his approach supports the legitimacy of concrete and agile methods of experimentation, which seem to me the most adapted to actions, especially cultural ones, in our uncertain and constantly changing world, due to the upheavals linked to digital technology, ecological mutations, and others. You will immediately notice that you can stand much more easily with one or two legs, almost indifferently. Whether they want it or not, their social position and aesthetic choices reflect an engagement, conscious or unconscious, in the life of the community. Benoît Labourdette, artist designer of the project and project manager of its realization.

Holding on
Robert
Self-effacing
Man
Needle in the hay
White Rabbit
Keys to the Kingdom
Monument
Need
Nothing
Parallel universes
Nothing
Have respect for my work.

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Photographs, paintings, drawings, assemblies and texts by Benoît Labourdette (unless otherwise stated).

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