A bit of human knowledge, gathered inside an architecture.
Attempted audiovisual materialisation of poetic organization of knowledge by the human, the build of what we call “culture”, “knowledge” by a movement in an architecture designed to contain them. Movement from which a visual therefore conceptual abstraction is built, leading, perhaps, to consider that philosophical concepts can take this type of plastic forms, not written with the words of the language of words, but described with audiovisual elements, image, sound, movement, time. This film is therefore a proposal for a philosophical experience.
Do not lose touch with philosophy, even at the heart of violence.
The kaleidoscope, a figure made up of mirrored replications of the same image, offers a very “organic” vision of things. Like a visual metaphor for cell division, it opens up a realm of perceptions and emotions far beyond the mere decoration it might at first appear to embody. This figure, very rare in films, has always questioned me, which is why I’ve been exploring it in film for a long time.
It’s been a nice surprise to see animated kaleidoscopes flourishing on screens over the last four or five years, in film and series credits in particular. I invite you to read the manifesto text on the practice of animated kaleidoscopes, which I wrote ten years ago, in 2014: « Thinking about moving kaleidoscope image ».