Collection of musical pieces, composed between 2000 and 2024, that could be classified in the “Ambient Experimental Noise” style. These are compositions of electronic and concrete music. The source material comes from recordings of real sounds and melodies, often improvised on a variety of acoustic and electronic instruments encountered on my travels. My approach is to sculpt the sound wave as I go along, listening to its own evolution, often at the unique moment of encounter with the instrument.
Sometimes these pieces are simply recordings of the moment of the encounter, and sometimes they are recompositions from these materials.
Each piece is associated with a short poem, often surreal, and a visual of my own.
Free listening and downloading + downloadable music book (book with direct access to the musical pieces via QR Codes).
I dare to speak of you in public.
These words from twenty years ago resonate in my soul today.
It’s not quiet at all, everyone’s passing in all directions, when you’d like it to be the other way round; you can’t get away from it. And if even the sea gets involved.
They’re there, the memories, they overwhelm me; I try to lighten up, but I can’t pretend; and yet the desire to live... what a paradox! A tribute to your life, Hippolyte, on this Christmas Day, to your ultimate freedom.
No soap was found on the floor of the Gare du Nord, after Pierre-Jean had slipped, he says on a bar of soap maliciously placed there by a dog, or by a bear sculpture.
By small steps, as small as drops of water, the energy comes back.
So far from your inaccessible flight, and yet you are right there, next to me, I could touch you.
When nature imposes itself, it dominates imperiously.
Our steps in the metro are the music of our lives.
You have to be behind it, hidden behind the trapdoor, to attend the secret meetings; you discover the truth.
This calm waiting of human beings is the robots’ waiting for the harvest. Some scream and revolt; they can’t stand their fear of death. But most have grown accustomed to arbitrary violence. And they collaborate for their ephemeral survival.
Signing with our soul, as soon as our fingers touch an out-of-tune keyboard.
A piece with a fragile breath, that I play to pay homage to you, friend who has just left.
This small group of exhausted fasters by the river awkwardly try to cheer themselves up with the music they improvise together.
Leslie entered this church, and she didn’t believe what she was told, despite her efforts.
Enter where the other is and search within yourself if, illuminated by the stained glass windows, contact with the afterlife is made.
Lying down, not being able to move, but turning your head, trying to look behind you.
Improvisation realized under private seing on January 1,2018.
Remember an old organ in this dusty church. Teenager, with in the headphones of the walkman some 1970s rock.
Improvisation realized under private seing on November 25th, 2017.
One morning, we decide to go on a picnic.
Improvisation carried out in private, November 14, 2017 (Benoît Labourdette production).
Running, running in his head.
Improvisation carried out in private on October 20, 2017.
Meditate for a moment. Let his brain put its own house in order.
Improvisation realized in private on October 20,2017.
To honor the animal, a slow dance, in the memory of falling.
Improvisation realized in private on October 15, 2017.
A complicated situation between domestic animals, which a happy music can not pacify.
Improvisation performed in private on October 8, 2017.
To live in a universe made of white noise, which suddenly begins to beat like the heart.
Improvisation carried out in private, October 5, 2017 (Benoît Labourdette production).
Decide who you want to be. Wendy chose to change sex.
Public improvisation performed as part of a creative evening “Le fil”, September 29, 2017 (Benoît Labourdette production).
Looking around, turning your head, turning on yourself.
Improvisation carried in private, September 14, 2017 (Benoît Labourdette production).
Swim in a large rotating corridor.
Improvisation carried out in private, September 14, 2017 (Benoît Labourdette production).
Step by step, the ground resounds of every shock of the bare foot that treads it. But at times, it is as if we were flying away.
Improvisation carried out in private, September 13, 2017 (Benoît Labourdette production).
To be rocked by the moon. It’s calm at first, and then everything comes alive.
Improvisation carried out in private, September 13, 2017 (Benoît Labourdette production).
An imaginary path towards the end.
Improvisation carried out in private, September 12, 2017 (Benoît Labourdette production).
What scares us is often what is unknown to us. Including sounds.
Improvisation carried out in private, September 8, 2017 (Benoît Labourdette production).
Two voices exchange, respond, listen, not always, and sometimes are in unison.
Improvisation carried out in private, September 6, 2017 (Benoît Labourdette production).
Happy memories, slowed down by the late hour.
Improvisation carried out in private, September 6, 2017 (Benoît Labourdette production).
Idle rolls on hot stones.
Improvisation carried out in private, September 6, 2017 (Benoît Labourdette production).
Under the ground, everything is not so black. You feel the rhythm of the world.
Improvisation carried out in private, September 5, 2017 (Benoît Labourdette production).
Slide bouncing on pink and purple hills.
Improvisation carried out in private, September 5, 2017 (Benoît Labourdette production).
The ladder is not always easy to climb.
Improvisation carried out in private, September 5, 2017 (Benoît Labourdette production).
Nocturnal nostalgia which is imagined in the other, and which is born in itself.
Improvisation carried out in private, September 5, 2017 (Benoît Labourdette production).
Memory of a slow forward in a cave, along an underground lake, on a flying carpet.
Improvisation carried out in private, September 3, 2017 (Benoît Labourdette production).
Crisis, rubbing, screeching, air blowing in all directions. Some notes of music emerge from the chaos.
Improvisation carried out in private, September 1, 2017 (Benoît Labourdette production).
Running in a little stride on a fresh grass of the morning dew.
Improvisation carried out under private signature, July 24, 2017 (Benoît Labourdette production).
Forget yourself in a gentle rhythm that drifts.
Public improvisation carried out as part of a creative evening “Le fil”, June 30, 2017 (Benoît Labourdette production).
Sticky and granular emotional touches.
Public improvisation carried out as part of a creative evening “Le fil”, June 30, 2017 (Benoît Labourdette production).
A sad mass, which doesn’t go as planned.
A race of glances in all directions.
On the road, we go on, calmly but very quickly. And this happens, inescapably.
Improvisation carried out under private seal, May 28, 2017 (Benoît Labourdette production).
You start the car, you don’t know that the handbrake is still on. You don’t understand why it’s so hard to move forward.
Are we in the theater, or are we in reality? In the end, is one the other, and is that good?
Text: Thought by Blaise Pascal, page 396 of manuscript.
A knock at the door of the cellar. But is it really a door? Is not it rather his own skull?
Improvisation carried out in private, June 27, 2016 (Benoît Labourdette production).
A child alone in his head dreams about the patterns of the tablecloth on the grass.
The wind in the ears, the clothes that beat, and someone appears.
Travel without return. A fear.
Improvisation carried out in private, October 17, 2014.
To cook.
Improvisation carried out in private, October 2, 2014.
The deep waves of an inner storm are born, mysterious and imperceptible, and grow, transform, do not know why.
Improvisation carried out in private, September 24, 2014 (Benoît Labourdette production).
Walk in the Wind
Improvisation carried out in private, September 24, 2014.
The gaze that guides the steps, forward and backward, and these steps bring forth memories.
Improvisation carried out in private, September 18, 2014 (Benoît Labourdette production).
When the race is frantic, it’s because its raison d’être is fear.
Never, never, never, never sick!
Nature sometimes stings.
Nostalgia for the past, imaginary.
It’s usually only when we retrace our steps, long afterwards, that we realize the true value of things. No doubt we can learn from this.
Remix of the track “Petit singe” from the album “La ville érogène” (2000).
In the head of the child who plays in the sandbox, the greatest adventures are lived, powerful emotions cross over and myths take root.
The voice of the belly, the inner voice, the voice of the machine... the song of the rain.