The accident is both the loss, the damage, but also the potential for a change of direction, an enrichment, despite what is no longer there. Once the inevitable has been accepted, the accident can then be seen as resilient: it is less about the cause of the accident than about what we decide to produce after it has occurred. Accidents can thus also become a driving force for creativity, whether artistic, political, medical, social or technological...
On the road, we go on, calmly but very quickly. And this happens, inescapably.Instrumental Music, 2017, 1’02s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out under private seal, May 28, 2017 (Benoît Labourdette (...)
A film by Benoît Labourdette (2’43s, 2005).
In 2005, the cameras appear in the phones, and invite to film the daily. One of the first movies shot on mobile phones.
A film by Benoît Labourdette (2016, 1h06’).
Film made of permanent layering of images and sounds, as in writing a chorus of self-creation through artistic expression.Choral work as part of a creative residency at the Maison Populaire de Montreuil in (...)
A film by Benoît Labourdette (2’28s, 2015).
A few seconds before a fatal car accident.
A film by Benoît Labourdette (2’50s, 2016).
Memory and guilt of a father against his son.
A film by Benoît Labourdette (2’11s, 2009).
Let’s imagine for a moment that fatigue doesn’t exist...
Instrumental music, 2019, 2’19s. Composition by Benoît Labourdette (prepared piano).
The soundboard of the piano which proposes a journey on rough dirt roads.
Article on thethe blog of the Canope Media Library about a virtual reality filmmaking workshop led by Benoît Labourdette.We tested a 360° camera shooting - The idea factory We tested a 360-degree camera shootingNUMOK, the digital festival of (...)