Video capture of a collective creation directed by Benoît Labourdette. Played on March 26, 2016 at the CNSAD (15 minutes).
“Today, almost everyone takes the stage on digital networks, takes a presence in the gaze of others by self-portraits interposed. What about the place of our lives? What can the theater stage, representation, and poetic gesture put into motion in (...)
A film by Benoît Labourdette (8s, 2020).
Unveiling rich movie programming in 8 seconds.For television broadcasts, it was necessary to have a trailer version of only 8 seconds, for the 42nd edition of the Créteil Women’s International Film Festival.The idea co-constructed between (...)
Film by Martine Stora and Benoît Labourdette (32’28s, 1995).
Meeting with André Malartre. The discovery of an inventor of theater.
Creation, writing, production, interpretation of a film entirely shot with a drone, piloted by teenagers.On two successive Saturdays in January 2017, the city of Niort, in partnership with the FRMJC of Poitou Charentes and within the framework (...)
Production of three unique films for a very singular exhibition.Opéra Comique and Stage Costume National Center proposed an exhibition of 7 February May 25, 2015, “The Opéra Comique and its treasures.” Curator: Agnès Terrier. Designer: Macha (...)
The “mobile camera”, or “pen camera”, that everyone has now permanently in the pocket, is a myth that became reality in a few years... In this tidal wave informational become essential to the social and economic development, which place has the (...)
“Pocket Films” trainging for social workers and street educators - Central France Region.Ciclic Regional Pole for the moving image, the book and digital cultures in central France, proposed to the social actors of the territory a three days (...)
Performing arts is my training and my initial culture. Young actor in the 90’s with among other La Compagnie du Chaland and Trottoir Express (France), I was teached to the work of the mask and the art of the jester with William Nedel. I also very (...)
What’s the point of culture? What is cinema? Will we go back to cultural places? Is it necessary to rethink cultural proposals in order to adapt them? But adapt them to what and how? These are fundamental questions that are being asked today by (...)