’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenarioA film is, physiologically, an object that addresses only two of our (...)

To live in a universe made of white noise, which suddenly begins to beat like the heart.Instrumental music, 2017, 3’45s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in private, October 5, 2017 (Benoît (...)

How to get listening and silence in a group? Surprisingly, by going through a work on oneself the results can be spectacular. Silence is a prerequisite to listening: a false ideaWhen we address a group of people, we need silence to be able to (...)

These 14 musical pieces are the content of my first musical CD, “The erogenous city” (2001), built with real sounds, granularisations and simple percussions. In my way of discovering the musical language, this is the first sign. I used some of (...)

Second album in 2001, consists of 15 pieces for nightlife, a little claustrophobic in vocal and physical consonances. Composition from actual sound of whispering resonances. Granular soundscape times. Webs of human voice and articulated (...)