In the field of education, there is a consensus that a “frame” is essential for the effective functioning of the educational strategy, and therefore for the development of the individual. But what exactly is a “frame”? And what are the ways to build (...)
At the time we don’t realize it. I’m going to invest that: to realize, in the present, what’s at stake.
A film by Benoît Labourdette (1’02s, 2019).
Everyone’s utopia is perhaps a drawing centred on trust.
Interview of Benoît Labourdette by Jean-Yves de Lépinay (11’37s, 2020).
Sharing examples of audiovisual creation workshops conducted in the spirit of cultural rights: moving from “participation” to “interaction.”This trust we choose to put in others is a risk we take, it changes us. We take the risk of being able to (...)
Series of photographs taken at the Domain of Chamarande (Essonne, France) on January 1, 2021.
A year standing.The sun in the trees, illuminating the earth, water and nature of which we are a part, on this first day of a new year, fills me with wonder and brings me these wishes, inspired by the words of my friends. I recite them to (...)
L., on the other hand, is in much more trouble, using the legitimacy of her manager to squeeze people like lemons, using everyone’s ego.
And if it doesn’t come anymore, I don’t force anything. I let it rest. But when it comes, I must not block anything.
A film by Benoît Labourdette (2’22s, 2019).
How life, even in its most painful moments, can show us the way to love.
A collective movie (3’20s, 2022).
By sharing all our views, even the most intimate ones, we become stronger!
What makes the difference between being talented and doing creative work is the fact of going to the end of things, producing, sharing.
Observatory of cultural mediation in the social field.
As part of the Observatory of cultural mediation in the social field, Serge Saada interviewed Benoît Labourdette on the impact of the proliferation of digital images on young people and the public in general. Here is the soundtrack of the video. (...)
They don’t necessarily need texts, etc., they are actually very strong in themselves. That’s really important, and that L. told me. Because it’s true, and you have to recognize the strength that you have, and not reduce it to something (...)
Photographs, paintings, drawings, assemblies and texts by Benoît Labourdette (unless otherwise stated).