Dialogue

’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenario A film is, physiologically, an object that addresses only two of our (...)

Musical album

Underlying dialogues in the face of the sea spray. Notes and sounds thrown like seeds, which matured during four to five years, to gradually gather, find each other and propose to germinate, to come out of the ground. Download the album “Exit (...)

Two voices exchange, respond, listen, not always, and sometimes are in unison. Instrumental Music, 2017, 2’12s. Improvisation by Benoît Labourdette (piano). Improvisation carried out in private, September 6, 2017 (Benoît Labourdette (...)

A film by Sylviane Bertrand and Benoît Labourdette (1’, silent, 2018).

A simple painting can create controversy in a couple.

One morning, we decide to go on a picnic. Instrumental music, 2014, 1’07s. Improvisation by Benoît Labourdette (synthesizers). Improvisation carried out in private, November 14, 2017 (Benoît Labourdette (...)

Collective film (4’37s, 2019).

Intimate testimonials of objects that feel lonely or abandoned.

Collective film (10’06s, 2019).

The editing of the films, where tastes are confronted: watching together, dialoguing, choosing, arranging...

A film by Benoît Labourdette (9’54s, 2014).

A mystery of the act of painting, unveiled with Richard Texier.

Why use special software to write a screenplay ? A screenplay goes, often in a standardized format, which boils down to something very simple: one page = 1 minute. A script page contains: numbers, title and details of scenes, stage directions (...)

Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)

I have always had a multidisciplinary way of working between artistic creation, diffusion and cultural engineering, management, pedagogy, technology. These different fields interact, complement each other, feed and are in my background very (...)

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