’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenarioA film is, physiologically, an object that addresses only two of our (...)

Collective film (4’37s, 2019).

Intimate testimonials of objects that feel lonely or abandoned.

Two voices exchange, respond, listen, not always, and sometimes are in unison.Instrumental Music, 2017, 2’12s. Improvisation by Benoît Labourdette (piano).Improvisation carried out in private, September 6, 2017 (Benoît Labourdette (...)

A film by Sylviane Bertrand and Benoît Labourdette (1’, silent, 2018).

A simple painting can create controversy in a couple.

A film by Benoît Labourdette (9’54s, 2014).

A mystery of the act of painting, unveiled with Richard Texier.

Collective film (10’06s, 2019).

The editing of the films, where tastes are confronted: watching together, dialoguing, choosing, arranging...

One morning, we decide to go on a picnic.Instrumental music, 2014, 1’07s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in private, November 14, 2017 (Benoît Labourdette (...)

Birth“The shortest day” was born of a dynamic film professionals, who proposed early 2011 to the President of CNC Eric Garandeau, the concept of a national festival of short films, based on the model of the “Music festival” (which is held on June (...)

Collective film (3’02s, 2015).

Hands of humans from all over the world are talking through their tattoos, to music in a building by Le Corbusier.

Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)

I have always had a multidisciplinary way of working between artistic creation, diffusion and cultural engineering, management, pedagogy, technology. These different fields interact, complement each other, feed and are in my background very (...)