Content linked to Exposure

A film by Benoît Labourdette, with the collaboration of Marie Désert, François Cany and Jean-Baptiste Hanak (1’00s, 2020).

Palimpsest of confined lives, of pictorial references, of nascent love, of graphic and audiovisual performance, between Paris and Nantes in 2020.

Production of three unique films for a very singular exhibition.Opéra Comique and Stage Costume National Center proposed an exhibition of 7 February May 25, 2015, “The Opéra Comique and its treasures.” Curator: Agnès Terrier. Designer: Macha (...)

“The singularity” is a collaborative transmedia project, launched in 2016 by Benoît Labourdette. Around a thematic spine, over a long period of time (several years), film creations, theatrical forms, exhibitions, creative workshops in various (...)

“Expanded” visit of the exhibition “We and the others, from prejudices to racism”, Museum of Man, Paris. On 25 June 2017 at 11 am. Unique tour. A guided tour like no otherAnimated films were produced by the visitors of this exhibition as part of (...)

[Broadcasting of the film Tell me LED as an installation for the exhibition of the Palimpsest Colloquium (ESAV Toulouse)..From 18 May to 3 June 2016, at ESAV Toulouse, an exhibition accompanied the Palimpsest colloquium, where my film Tell me (...)

Series of 100 paintings by Benoît Labourdette (acrylic and mixed media on canvas) format of 100x100cm in format 12x12cm, 2016.Exhibition in the studio of the artist in the fourth quarter 2016.«Initially, I had a film project : work inside the (...)

Conception, design and production of editorial and exhibition website of painter / filmmaker. www.virginiehoudet.comChallenges and objectives This website was to present an exhibition of paintings. It should also be a place to promote the work (...)

Collective book to which I contributed, with the article “From economy to the conversation and audiovisual creation”. Publication Date : 19 February 2014 published by Armand Colin Link to the official website of the conference that gave birth to (...)

The criteria of compositionWhen we do the framing of an image with a camera, we often use the classical criteria of image composition, inherited from the tradition of figurative painting. Which is quite natural. Things as we see them in the (...)

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