History

A film by Benoît Labourdette (4’01s, 2021).

To see oneself in front of the roots of a tree.

The concept of television The goal of “tele-vision” at the beginning, as its name suggests, was able to transmit moving pictures remotely, making “live” that the cinema does not, because you have to develop the film. But how, in the early 20th (...)

The Cinematheque of Martigues offers a program of films by Benoît Labourdette. “From the sensitive to the camera” Benoît Labourdette’s film program, from April 1 to 15, 2017, as part of the exhibition “Films in the Pockets”. Presentation text To (...)

The fear of the blank page ... How to write a screenplay? Each has its engines, ways of inspiration, which are discussed shortly. Include Jean-Claude Carrière, who said “imagination is a muscle.”A common feature of all the writers This is probably (...)

A film by Benoît Labourdette (2’33s, 2021).

Myopia can be triggered by trauma. We are left with poetry.

DVD Technical Production of a film on the history of cinema. The association Documentaire sur Grand Ecran asked me to manufacture DVDs for their DVD collection “Special Collections”. Documentary films for demanding directors, for which I work in (...)

A film by Benoît Labourdette (37s, silent, 2017, pseudonym: Papa).

Navigation in the meaning of fine words, of those who gather people.

A film by Benoît Labourdette (2’17s, 2020).

Back to the place that resources us.

Collective film (5’27s, 2015).

Imaginary in the history of financial mathematics.

Cinema is a cross between a camera and the mechanics of a sewing machine, which helped capture on a long strip of film, a large number of photos one after the other. In this instance, since 1927, it is still 24 frames per second. These (...)

Loop video by Benoît Labourdette (1’10s, 2013).

The Pont Neuf, in addition to its architectural history (the oldest bridge in Paris), has an artistic history : its packaging by Christo in 1985, the film “The Lovers on the Pont Neuf” by Leos Carax in 1991, etc.. But one of its reality is that in (...)

Strategic support, editorial and technical implementation of the redesign of the website of the Museum for living history. www.museehistoirevivante.fr Issues and goals The Museum for living history had a static website, very rich in content, (...)

Here you will find educational tools, practical and conceptual. These tools are based on the experiences and thinking that I have been developing in a large number of contexts since the 1990s. I have developed a singular, operative pedagogical (...)

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