Artificial Intelligence

Artificial Intelligence © Benoît Labourdette.
Poem in automatic writing about « Artificial Intelligence »
Culture therefore, as Pierre Bourdieu reminded us, is always a matter of symbolic power. It is a right to make, and a right to be recognised in what one makes. Les artistes ont toujours fait des œuvres avec les résistances de leurs outils. Claude: rather good for subjects related to writing. Recent history offers us illuminating parallels. Over nine years (2005–2013), this festival’s mission was precisely to invite people to invent unprecedented uses for this technique, to create things its designers hadn’t imagined. It is the folding itself that creates a form of technical interiority, an “inside” of the code that did not exist before the operation. If we take seriously the work of Meltzoff and developmental psychology, it is not only direct manipulation of a screen that forms the interface habit; it is also, and perhaps above all, the observation of the gestures that adults have with their screens. When a crisis strikes me, I do not measure myself against resilience as research thinks it today, I measure myself against the representation of it that I carry, the one I absorbed without deciding to, through years of programmes, articles and conversations. The same person will gladly recount, with pleasure and with subtlety, their own uses of artificial intelligence, the way they worked out a graphic design by conversing with a machine, the surprises they had along the way, the precautions they learnt to take, their lucid analyses of how their relatives use artificial intelligence.

All themes

Photographs, paintings, drawings, assemblies and texts by Benoît Labourdette (unless otherwise stated).

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(image generated by artificial intelligence Ideogram)

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