Collective film (4’07s, 2016).
The calm introspective intimacy of everyday objects.
Collective film (3’04s, 2020).
The image of oneself, the images of others, which are projected on each other..
Collective film (6’15s, 2020)
Like a little story of writing and looking, from paper to screens.
Collective film (4’41s, 2014).
Abandoned on the ground, these objects wonder about their lives.
A film by Benoît Labourdette (2’44s, 2009).
Let’s imagine for a moment that this street is a safe deposit box...
Collective film (3’27s, 2015).
In nature, objects sing to give themselves courage.
Collective film (3’10s, 2019).
A revolt of objects against the Internet and its uses.
Collective film (4’34s, 2016).
In nature, objects share their digital experiences.
Collective film (4’25s, 2017).
Small depresses of the everyday objects.
Collective film (4’22s, 2019).
They lost, or they won, they testify atypically.
A film by Benoît Labourdette (5’18s, 2009).
Let’s imagine for a moment that this poster is a face...
Collective film (4’57s, 2019).
A double staircase going up and down, objects coming in from all over the world, a common desire.
Collective film (2’28s, 2017).
Objects, which we imagine have been incarcerated, share their experiences.
Collective film (4’33s, 2015).
Stairway to freedom.
Collective film (2’55s, 2020).
When objects share their experience of deconfinement..
A collective movie (4’19s, 2021).
They wake up, and are determined to get on with their lives!
A film by Benoît Labourdette (2’20s, 2009).
The correspondences between the rain, which burns the glasses, which prevents to see, and the denialist theses on the agenda of the media for a few moments, which are also ways to still not want to see. The real arises from this confrontation, (...)
Film collectif (3’11s, 2019).
Teenage objects share their various dreams.
Collective film (4’36s, 2019).
In a movie theatre, the objects of our daily lives talk about life with social networks.
A film by Sylviane Bertrand and Benoît Labourdette (1’, silent, 2018).
A simple painting can create controversy in a couple.
Collective film (1’56s, 2016).
From the end of the world, from the end of time, crossings on a terrace.
A method for the sustainability of projects.
Based on the way the human body balances itself, for a sustainable approach to project management. Observation of nature is often very good advice for engineering projects (architecture, aviation, textiles, IT, neural networks for example...). (...)