Collective film (3’04s, 2020).

The image of oneself, the images of others, which are projected on each other..

Collective film (4’22s, 2019).

They lost, or they won, they testify atypically.

Collective film (5’28s, 2020).

When talking objects teach us that digital can create human connection.

A film by Benoît Labourdette (1’23s, silent, 2017, pseudonym: A. A. A. A.)

Some of them manage to give up.

A film by Benoît Labourdette, with the collaboration of Marie Désert, François Cany and Jean-Baptiste Hanak (1’00s, 2020).

Palimpsest of confined lives, of pictorial references, of nascent love, of graphic and audiovisual performance, between Paris and Nantes in 2020.

A film by Benoît Labourdette (0’54s, silent, 2019, pseudonym: Marc Z.).

Social networks benefit from everything, even human tragedies.

Collective film (2’00s, 2019).

Lost in the City of Science and Industry, objects share their questions about their relationship to images.

Collective film (2’55s, 2020).

When objects share their experience of deconfinement..

A film by Benoît Labourdette (2’38s, silent, 2017).

A so negative feeling...

Experimental film by Benoît Labourdette (7’26s, 2015). With Marta Zielinska and Senghte Vanh Bouapha.

A couple of “Living ghosts” emanate from the walls, floors, windows, of an old apartment.

Collective film (2’54s, 2019).

When objects from a carving workshop wake up...

Filming with a drone singularly change the view of the world, and perhaps the film writing, in political and sensitive aspects.As part of the study day “Framing/deframing Editing/Disediting - The aesthetic challenges of connected audiovisual (...)

Workshop for the production of films for teenagers, then organization by young people of the itinerant screening of these films, within the framework of the Port Areas Film Festival (Saint-Nazaire - France). June 2017.This workshop was held (...)

Performing arts is my training and my initial culture. Young actor in the 90’s with among other La Compagnie du Chaland and Trottoir Express (France), I was teached to the work of the mask and the art of the jester with William Nedel. I also very (...)