A film by Benoît Labourdette (1’05s, 2020).
A simple stroll can be an invitation to an immediate dazzling journey.
Overview of my filmmaking efforts from 1997 to 2017, in relation to technological developments, and the making of a “mental” film.In the framework of a study day entitled “Self-narrative: Tool and features of the” I “on screen, organized by (...)
A film by Benoît Labourdette (3’26s, 2012). Musical improvisation by Olivier Mellano.
We all sat on chairs in classrooms. We make these chairs ? What do they give us ?How they welcome us ? Can we look at them differently than in a utilitarist point of view ? Besides, are they not utilitarian ? They pass, through their design, (...)
A film by Benoît Labourdette (5’18s, 2009).
Let’s imagine for a moment that this poster is a face...
Series of 100 event photographs.
The street crackles with the fire that consumes it. It is a powerful breath. And little by little the night is made. The cold comes after the blaze. All is nothing but memory.
A film by Benoît Labourdette (7’05s, 2015).
The bankruptcy of a movie theater, and the words that accompany indifference.
A film by Benoît Labourdette (2’47s, 2009).
Let’s imagine for a moment that this trash can is a bus...
A film by Benoît Labourdette (6’41s, 2021).
On the difficulty of writing, of forming a sensitive and true trace of the most intimate and precious things. Immersion in the head of an author in search of the memory of a moment of sensuality.
5 day course : technical basis, strategy and creativity for new media.The students of the “Licence Pro audiovisual designer director” (University Paul Valéry - Montpellier 3 - France) have a multidisciplinary profile, both artistic and (...)
A film by Benoît Labourdette (3’36, 2012).
“Break”, this time of the working day in which humans are placed in a non-productive state finally.
Video Creation by Benoît Labourdette (2’40s, 2014).
The reality around us is far more fragmented space than it appears in the first instance.
Filming with a drone singularly change the view of the world, and perhaps the film writing, in political and sensitive aspects.As part of the study day “Framing/deframing Editing/Disediting - The aesthetic challenges of connected audiovisual (...)
Photographs, paintings, drawings, assemblies and texts by Benoît Labourdette (unless otherwise stated).